"Traditional Tibetan Folk Song" by Chagdud Tulku Rinpoche had its release date on January 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Voice of Tibet by Chagdud Tulku Rinpoche. The song's track number on the album is #19 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Traditional Tibetan Folk Song's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Traditional Tibetan Folk Song by Chagdud Tulku Rinpoche has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Traditional Tibetan Folk Song being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blood of Realization | Chagdud Tulku Rinpoche | B Major | 2 | 1B | 90 BPM | ||
| 42, Surah Ash-Shura: 9-12 | mylordtakemeaway | B♭ Minor | 1 | 3A | 144 BPM | ||
| Tanpura Anahata Sound in D# | Bagno Armonico | A♭ Major | 0 | 4B | 101 BPM | ||
| Nanda Nandana | Amma | C Minor | 6 | 5A | 89 BPM | ||
| Biko | Golddengurl33 | B Minor | 0 | 10A | 115 BPM | ||
| Shushogi Daiissho Sojo | Daihonzan Eiheiji | B Major | 0 | 1B | 178 BPM | ||
| Excerpt From The Hundred Thousand Songs Of Milarepa | Bokar Rimpoche | E♭ Major | 1 | 5B | 128 BPM | ||
| All of Our Wishes Can Be Accomplished | Chagdud Tulku Rinpoche | B♭ Major | 5 | 6B | 85 BPM | ||
| Shiva Pranam | Naren K. Schreiner | B Minor | 1 | 10A | 84 BPM | ||
| Buddha Amitayus (Long Life) | Lama Tashi | B Major | 1 | 1B | 140 BPM | ||
| 2nd Chakra: Orange Crescent Moon Over Water (Vahm) | Baird Hersey | A♭ Major | 1 | 4B | 125 BPM | ||
| Chariot | Rebecca Jackson | G Major | 0 | 9B | 133 BPM | ||
| Normal | rexipro rd | B Major | 0 | 1B | 82 BPM | ||
| Chenresig | Lama Gyurme, Jean-Philippe Rykiel | E Major | 2 | 12B | 120 BPM | ||
| Ramaya Sri Ram Jai Ram | Nina Rao, Devadas Labrecque | B♭ Minor | 7 | 3A | 144 BPM | ||
| Yellow Dzambhala Mantra | Gyakong Padma Tenzin Rinpoche | D♭ Minor | 2 | 12A | 98 BPM | ||
| 二十一度母禮讚文儀軌《結行》 | 白玉措嘉謝拉達吉林寺女尼僧眾 | E♭ Major | 8 | 5B | 137 BPM | ||
| Momentos Tranquilos | Om Mani | C Major | 0 | 8B | 84 BPM | ||
| 41, Surah Fussilat: 19-24 | mylordtakemeaway | B Minor | 0 | 10A | 36 BPM | ||
| Vocal Chants of the Dalia Lama (With Ocean Waves) | Robbins Island Music Group | A Major | 2 | 11B | 111 BPM | ||
| 三帰礼文~朝のおつとめ~ | 曹洞宗大本山永平寺維那, 曹洞宗大本山総持寺維那 | F♯ Major | 0 | 2B | 132 BPM | ||
| Manjushri (Wisdom) | Lama Tashi | D♭ Minor | 2 | 12A | 120 BPM | ||
| Mantra Di Vajrasattva | Lama Michel Rinpoche, United Peace Voices | E♭ Major | 1 | 5B | 116 BPM | ||
| 3rd Chakra: Pyramid in Yellow Flames (Rahm) | Baird Hersey | F Major | 2 | 7B | 69 BPM | ||
| The Aspiration Prayer of Samantabhadra Prayer | Simdha Getul Rinpoche | E Minor | 1 | 9A | 68 BPM |