L. Subramaniam, Palghat Mani Iyer's ' "Tala Vadya (Rupakam Tala) [feat. Palghat Mani Iyer]" was released on its scheduled release date, March 19, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "On Record (feat. Palghat Mani Iyer)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Tala Vadya (Rupakam Tala) [feat. Palghat Mani Iyer] is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tala Vadya (Rupakam Tala) [feat. Palghat Mani Iyer] by L. Subramaniam, Palghat Mani Iyer having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tani Avartanam | Traditional, Alla Rakha, Zakir Hussain | F Minor | 4 | 4A | 139 BPM | ||
| Open Eyes | Alam Khan, Arjun K. Verma, Del Sol Quartet, Ishaan Ghosh | G Major | 7 | 9B | 105 BPM | ||
| Raga Tilak Kamod | Shahid Parvez | D♭ Major | 3 | 3B | 171 BPM | ||
| The Pupil and His Master: Rag Bilawal | Vilayat Khan | D♭ Major | 7 | 3B | 115 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Celebration of Spring | G.S. Sachdev | A Minor | 0 | 8A | 78 BPM | ||
| Kateelda Sri Durgaparameshwari | B. R. Chaya | F Major | 5 | 7B | 143 BPM | ||
| Natural Healer - Original Mix | Kaustav Majumder | B♭ Major | 4 | 6B | 76 BPM | ||
| Vallabha Nayakasya / Begada / Rupaka | Semmangudi Srinivasa Iyer, L. Subramaniam, Palghat Mani Iyer | G Major | 3 | 9B | 78 BPM | ||
| Naima | Deepak Ram | A Major | 2 | 11B | 76 BPM | ||
| India Blue (Dhani) | Ali Akbar Khan | F Minor | 4 | 4A | 156 BPM | ||
| Bhimpalasri Fast Tintal | Nikhil Banerjee | A Major | 4 | 11B | 137 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Black Dawn | Ronobir Lahiri | A♭ Major | 7 | 4B | 131 BPM | ||
| Cells 14-16 | Terry Riley, Brooklyn Raga Massive | G Major | 7 | 9B | 109 BPM | ||
| Apna Street | L. Subramaniam | C Major | 4 | 8B | 127 BPM | ||
| Nepal | Downing And Mayer | C Major | 4 | 8B | 100 BPM | ||
| Rajasthan | Maya Nancy | E♭ Major | 3 | 5B | 82 BPM | ||
| Raga mohanam : Alâpana | L. Subramaniam | E Major | 3 | 12B | 89 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM | ||
| Raga Mishra Kafi - Wire | Bidyut Khan Band, Lucyan | A Major | 8 | 11B | 143 BPM | ||
| Raaga Tilak Kamod | Ronu Majumdar | E Major | 2 | 12B | 104 BPM | ||
| Pranava Swaroopam | Sri Ganapathy Sachchidananda Swamiji, L. Subramaniam | D Major | 3 | 10B | 106 BPM | ||
| Raga Bhupali - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | E Minor | 4 | 9A | 97 BPM | ||
| Bridge Of Sighs (with John McLaughlin) | Shakti, John McLaughlin | E Minor | 5 | 9A | 139 BPM |