Avinash Nayak, Chinta Devi's ' "Pelar Pelar Sadiya" was released on its scheduled release date, June 28, 2025. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Pelar Pelar Sadiya only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Pelar Pelar Sadiya's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pelar Pelar Sadiya by Avinash Nayak, Chinta Devi having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gagari Kar Pani | Jitendra Sanyasi, Chinta Devi | G Major | 8 | 9B | 142 BPM | ||
| Aari Aari | Anita Bara, Kailash Munda | E Minor | 6 | 9A | 120 BPM | ||
| Hello Sulu Lulu | Avinash Nayak | A Minor | 10 | 8A | 152 BPM | ||
| Hamar Kismat Kharab Rahau Je Helo Torse Biha | Pawan Nayak, Chinta Devi | G Major | 9 | 9B | 140 BPM | ||
| Gunda Gardi | Kailash Munda, Anita Bara | A♭ Major | 8 | 4B | 76 BPM | ||
| Bheegi Bheegi Raat Mein | Manoj Sahri, Barkha Baraik | B♭ Minor | 9 | 3A | 122 BPM | ||
| KANE KE LOLA | Satish Das | G Minor | 9 | 6A | 87 BPM | ||
| Aama Lagid | Chot Bihari, Chandni Pareya | D♭ Minor | 9 | 12A | 125 BPM | ||
| Moy To Dilak Rani | That Nagpuri | C Major | 10 | 8B | 155 BPM | ||
| Naina Tor Kamal | Abhi Rabha | G Major | 9 | 9B | 105 BPM | ||
| Balak Dulara | Sudhir Mahli | C Major | 7 | 8B | 120 BPM | ||
| A Rani Bijli Girraou Na | Nitesh Kachap, Chinta Devi | G Minor | 10 | 6A | 148 BPM | ||
| Sun Ni Re Pagli | Pankaj Mahli, Chinta Devi | G Major | 9 | 9B | 142 BPM | ||
| Pulawanthi | Madhuraj Madavi, Seema Khan | A♭ Major | 8 | 4B | 80 BPM | ||
| Pani Me Aaig Lagale | Chinta Devi, Pankaj Mahli | C Major | 9 | 8B | 112 BPM | ||
| Hururu | Kappu Nayak, Chinta Devi | F♯ Minor | 9 | 11A | 142 BPM | ||
| KAHA SE TOY AALE LAJHAR LAJHAR | Chinta Devi, Balram Kachhap | B♭ Minor | 8 | 3A | 145 BPM | ||
| Jiwan Jori Khoj Deliyo Badi Door | Nagpuri Diwana | C Major | 10 | 8B | 135 BPM | ||
| O Saiyaara | Chinta Devi, Birendra Gope | G Major | 7 | 9B | 140 BPM | ||
| Etai Payar Delo Toke Moy | Chinta Devi | F Minor | 9 | 4A | 135 BPM | ||
| O More Senai | Priyanka Bharali | F Minor | 9 | 4A | 135 BPM | ||
| Inj Hon Gate Amre Mone | Ajay Soren, Rupali | A♭ Minor | 7 | 1A | 115 BPM | ||
| Oh Mor Jawani Bharal Jawani | Chinta Devi | D♭ Major | 10 | 3B | 145 BPM | ||
| Hey Re Suman | Manoj Sahri | G Minor | 9 | 6A | 87 BPM | ||
| Kala Kala Saree | Sudhir Mahli, Jyoti Sahu | B Minor | 10 | 10A | 150 BPM |