Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel's '"Concerto comique" No. 25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante' had a release date set for January 1, 1983. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. "Concerto comique" No. 25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in French Baroque Concertos by Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, "Concerto comique" No. 25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of "Concerto comique" No. 25 In G Minor "Les sauvages et La Furstemberg": 2. Quand on scait aimer et plaire - Andante by Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Viola d'amore, Lute, Strings and Basso Continuo in D Minor, RV 540: II. Largo | Antonio Vivaldi, Rolf Lislevand, Manfredo Kraemer, The Rare Fruits Council | B♭ Minor | 1 | 3A | 137 BPM | ||
| Concerto À 4 Parties In A Minor: 3. Allegro | Michel Blavet, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | A♭ Minor | 2 | 1A | 136 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio (Andante largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca | E Major | 2 | 12B | 80 BPM | ||
| Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
| Recorder Concerto in C Major, Op. 17, No. 1: 1. Gaiement | Jacques-Christoph Naudot, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | B Major | 2 | 1B | 113 BPM | ||
| Macbeth: Music Before the Play - Birks of Invermay | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 80 BPM | ||
| Symphony No. 1 in B-Flat Major, Op. 2: I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
| Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: III. Les Irresoluts | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 1 | 6A | 82 BPM | ||
| Music from The Fairy Queen (1) (after Shakespeare: A Midsummer Night's Dream): Prelude | Henry Purcell, Emil Klein | G Minor | 2 | 6A | 136 BPM | ||
| Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 136 BPM | ||
| Corrette: Flute Concerto in E Minor, Op. 4 No. 6: III. Allegro | Michel Corrette, Jean-François Paillard, Jean-Pierre Rampal, Orchestre de chambre Jean-François Paillard | E Minor | 3 | 9A | 111 BPM | ||
| Concerto n°1 en sol majeur: Allegro | Michel Corrette, Le Concerto Rococo, Brosse Jean-Patrice, Nicolas Mazzoleni, Roberto Crisafulli, Alain Petit, Charles Zebley, Michel Renard, Antoine Ladrette | A Minor | 0 | 8A | 83 BPM | ||
| "Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 1. Les Sauvages - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 90 BPM | ||
| Magnificat (Chorus) | Carl Philipp Emanuel Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresdner Kammerchor, La Stagione Frankfurt, Michael Schneider | D♭ Major | 2 | 3B | 130 BPM | ||
| Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
| Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: II. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| For Several Friends, Suite in G Major-Minor: I. Fantazie | Matthew Locke, Ensemble Masques | A♭ Minor | 1 | 1A | 93 BPM | ||
| Concerto grosso in D Major Op. 6, No. 4: I. Adagio – Allegro | Arcangelo Corelli, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Minor | 2 | 12A | 81 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | F♯ Major | 1 | 2B | 134 BPM |