"ベムラー vs ウルトラマン" by 戸田信子, 陣内一真 had its release date on July 8, 2020. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. ベムラー vs ウルトラマン's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "ULTRAMAN ORIGINAL SOUNDTRACK". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Japan. Based on our statistics, ベムラー vs ウルトラマン's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ベムラー vs ウルトラマン by 戸田信子, 陣内一真 having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 凱旋門賞 最後の決戦 | Lucas Nainemoutou | E Major | 5 | 12B | 93 BPM | ||
| Murmurs from the Land Forbidden | Akihiko Narita | D♭ Major | 3 | 3B | 149 BPM | ||
| Weapons Should Only Exist to Kill People | Takashi Ohmama | D Minor | 6 | 7A | 149 BPM | ||
| The Decisive Battle of the Ring of Time | SCARLET NEXUS Sound Team | D♭ Major | 9 | 3B | 106 BPM | ||
| Cockpit | Takashi Ohmama | F Major | 0 | 7B | 76 BPM | ||
| 魂の躍動 | 甲田雅人 | B♭ Minor | 5 | 3A | 91 BPM | ||
| No Risk, No Reward | 祖堅 正慶 | F Minor | 6 | 4A | 81 BPM | ||
| 4 The Answer (For The Mission) | Kota Hoshino | D Major | 9 | 10B | 91 BPM | ||
| 未来を導く | 光宗信吉 | E Minor | 8 | 9A | 55 BPM | ||
| Signal for Battle | 戸田信子, 陣内一真 | F Major | 7 | 7B | 120 BPM | ||
| The Cascadian Conflict | Jose Pavli | A Minor | 5 | 8A | 104 BPM | ||
| 戦士 [M-8] | Kohei Tanaka | F Major | 9 | 7B | 148 BPM | ||
| BUILD DiVERS | Hideakira Kimura | A Minor | 7 | 8A | 148 BPM | ||
| SACRIFICE | Shigeaki Saegusa | A Minor | 6 | 8A | 113 BPM | ||
| Descendant of Shinobi - Battle Edit - FF7R Ver. | Nobuo Uematsu | E♭ Major | 6 | 5B | 135 BPM | ||
| 出撃準備 (機動戦士ガンダムより「長い眠り」) | Takayuki Hattori | A♭ Major | 9 | 4B | 195 BPM | ||
| 英雄の証 - 3 (tri-) Version | Capcom Sound Team | D♭ Major | 5 | 3B | 84 BPM | ||
| 力の衝突 | Hiroaki Tsutsumi | C Major | 3 | 8B | 93 BPM | ||
| Lacrimosa of Dana | Falcom Sound Team jdk | A♭ Major | 2 | 4B | 71 BPM | ||
| 無垢なる禍 | 小倉真奈 | D Minor | 5 | 7A | 102 BPM | ||
| Recapture | Falcom Sound Team jdk | A Major | 2 | 11B | 162 BPM | ||
| Determination | 戸田信子, 陣内一真 | F Minor | 4 | 4A | 188 BPM | ||
| The Rampage | 堀諭史 | D♭ Major | 4 | 3B | 138 BPM | ||
| Furycane, Vitality Primal - Part 2 | Tsutomu Narita | F Major | 1 | 7B | 90 BPM | ||
| Happy Birthday to You | Takashi Ohmama | D Minor | 5 | 7A | 66 BPM |