"Bad Carma" by Trevor Rabin had its release date on January 1, 2000. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Trevor Rabin's "Gone In 60 Seconds (Original Motion Picture Score)" album is number 15 out of 15. On top of that, United States appears to be the country where this track was created. The popularity of Bad Carma is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bad Carma by Trevor Rabin to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mighty Good Road | Kelly Pace and Group | A♭ Major | 7 | 4B | 139 BPM | ||
| Short Straw | Trevor Rabin | C Major | 3 | 8B | 174 BPM | ||
| Roboslut | The Crystal Method | A Major | 8 | 11B | 133 BPM | ||
| Chinchilla Coat | Marc Streitenfeld | C Major | 1 | 8B | 132 BPM | ||
| The Pimp Returns | Peter Best | C Major | 8 | 8B | 77 BPM | ||
| The Anvil Of Crom - Main Title Conan The Barbarian | Steven Scott Smalley | G Minor | 5 | 6A | 120 BPM | ||
| The Terminator | Marco Beltrami | A Major | 2 | 11B | 165 BPM | ||
| Rio Grande | Harald Kloser | A♭ Major | 3 | 4B | 109 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| Terminal Velocity | Gavin Griffiths | A♭ Major | 9 | 4B | 132 BPM | ||
| Permission To Fire | Thomas Newman | F♯ Minor | 2 | 11A | 148 BPM | ||
| Tetsujin | Juno Reactor, Don Davis | F Minor | 9 | 4A | 128 BPM | ||
| Liu's Dream | George S. Clinton | C Major | 5 | 8B | 122 BPM | ||
| Han Drifting | Hybrid | A♭ Major | 9 | 4B | 98 BPM | ||
| Escape from New York: Main Theme | M.S. | B Major | 4 | 1B | 96 BPM | ||
| Hot Spy Lady | Tyler Bates | G Major | 5 | 9B | 92 BPM | ||
| Saving Zereta | Joel Goldsmith | G Major | 6 | 9B | 128 BPM | ||
| Training Montage | Trevor Rabin | G Major | 4 | 9B | 108 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| Champion! | Matthew Margeson | C Major | 1 | 8B | 135 BPM | ||
| Conan & Bombaata Battle - Conan The Destroyer/Soundtrack Version | Basil Poledouris | A Minor | 6 | 8A | 140 BPM | ||
| Fire in a Brooklyn Theatre | Randy Edelman | D Major | 0 | 10B | 111 BPM | ||
| Foot Chase | Trevor Rabin | A Major | 8 | 11B | 132 BPM | ||
| Sarah Dream - Remastered 2017 | Brad Fiedel | D♭ Major | 3 | 3B | 79 BPM | ||
| Unauthorized Entry | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM |