- BPM
- 70
- Key
- B♭ Minor
- Camelot
- 3A
What to Do by James Lawrence Song Details
"What to Do" by James Lawrence had its release date on February 14, 2008. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. What to Do's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Questions". In this album, this song's track order is #6. What to Do is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With What to Do by James Lawrence having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -28.801 dB
- Acousticness
- 93%
- Danceability
- 21%
- Energy
- 7%
- Instrumentalness
- 80%
- Liveness
- 10%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Thank You God for Most This Amazing Day | BYU Singers | C Major | 1 | 8B | 70 BPM | |
 | O Sons and Daughters of the King | Concordia Publishing House | G Minor | 2 | 6A | 179 BPM | |
 | Considering Matthew Shepard, Passion: No. 7, The Fence (That Night) | Craig Hella Johnson, Lesléa Newman, Hildegard von Bingen, Conspirare | D Minor | 1 | 7A | 104 BPM | |
 | Boogie 1 A.M. | Dave Brubeck, Houston Chamber Choir, Robert Simpson, The Paul English Quartet, Horace Alexander Young | B♭ Major | 5 | 6B | 119 BPM | |
 | Requiem, Op. 9: Sanctus | Maurice Duruflé, Ivan Repušić, Bavarian Radio Chorus, Munich Radio Orchestra | G Minor | 1 | 6A | 139 BPM | |
 | Power of Love | Heather Houston | A Minor | 3 | 8A | 105 BPM | |
 | Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Paul Spicer, Finzi Singers | D♭ Minor | 0 | 12A | 82 BPM | |
 | Effectuated Disappear Sprout | James Lawrence | B Major | 6 | 1B | 134 BPM | |
 | Mass: No. 2, Hymn & Psalm. A Simple Song | Leonard Bernstein, Jubilant Sykes, Baltimore Symphony Orchestra, Marin Alsop | E♭ Major | 5 | 5B | 104 BPM | |
 | Enemies Unappreciative Grudging | James Lawrence | F Minor | 4 | 4A | 174 BPM | |
 | The Birds' Lullaby - SATB | Sarah Quartel, Oxford University Press, The Oxford Choir, Bob Chilcott | G Major | 1 | 9B | 104 BPM | |
 | Trial by Jury: All Hail, Great Judge! | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 89 BPM | |
| Tune Up Stamping Ground | James Lawrence | F Minor | 4 | 4A | 174 BPM | |
 | My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | |
 | Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | D Major | 2 | 10B | 102 BPM | |
 | For Charlie | Catholic Expat | A Minor | 3 | 8A | 105 BPM | |
 | Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | |
 | From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | |
 | You Through Me: You Through Me | Alex Berko, Conspirare, Miró Quartet, Michael Jones, Craig Hella Johnson | E Major | 2 | 12B | 95 BPM | |
 | Songs of the Fleet, Op. 117: III. The Middle-Watch | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | G Major | 1 | 9B | 83 BPM | |
 | When David Heard | Thomas Tomkins, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | |
 | St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | |
 | the little match girl passion: lights were shining | David Lang, Theatre Of Voices, Paul Hillier | E♭ Major | 1 | 5B | 92 BPM | |
 | The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Minor | 3 | 8A | 105 BPM | |
 | Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records