Max Reger, Bamberg Symphony, Horst Stein's 'Variations And Fugue On A Theme By Ludwig van Beethoven, Op. 86: 7. Var. VI: Allegretto con grazia' had a release date set for June 29, 2018. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Max Reger, Various Artists's "Max Reger - Orchestral Edition - Variations, Suites, Romances" album is number 46 out of 56. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Variations And Fugue On A Theme By Ludwig van Beethoven, Op. 86: 7. Var. VI: Allegretto con grazia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations And Fugue On A Theme By Ludwig van Beethoven, Op. 86: 7. Var. VI: Allegretto con grazia by Max Reger, Bamberg Symphony, Horst Stein to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | G Major | 0 | 9B | 99 BPM | ||
| The Indian Queen, Z. 630, Act 4: They Tell Us That Your Mighty Powers (Arr. for baroque orchestra and saxophone) | Henry Purcell, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | E Minor | 0 | 9A | 135 BPM | ||
| 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegro molto vivace | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | ||
| Requiem, Op. 48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 74 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Deux arabesques, L. 66: Arabesque No. 2 | Claude Debussy, Tiffany Poon | B Major | 0 | 1B | 64 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Gypsy Songs, Op. 55: No. 4, Songs my mother taught Me - Arr. For Cello und Piano | Antonín Dvořák, Benedict Kloeckner, Danae Dörken | B Minor | 0 | 10A | 84 BPM | ||
| Am Meer, S. 560/4 (After Schubert, D. 957/12) | Franz Liszt, Alexandre Kantorow | C Major | 0 | 8B | 128 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 73 BPM | ||
| The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | ||
| Reger: Clarinet Quintet in A Major, Op. 146: I. Moderato ed amabile | Max Reger, Sabine Meyer, Erich Höbarth, Peter Matzka, Thomas Riebl, Rudolf Leopold | A Major | 1 | 11B | 85 BPM | ||
| Nuit d'étoiles, L. 4 (Arr. for Cello & Piano by Juliette Herlin) | Claude Debussy, Juliette Herlin, Kevin Ahfat | A Minor | 0 | 8A | 74 BPM | ||
| Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): III. Moderato - Allegro | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Chabrier: Habanera | Emmanuel Chabrier, Pierre Barbizet | F Major | 1 | 7B | 118 BPM | ||
| Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
| Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia – | Clara Schumann, Tasmanian Symphony Orchestra, Howard Shelley | F Major | 0 | 7B | 72 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Clarinet Sonata No. 1 in F Minor, Op. 120: II. Andante un poco adagio (Arr. L. Berio for Clarinet & Orchestra) | Thomas Selle, Veronika Winter, Stephanie Petitlaurent, Simone Eckert, Ulrich Wedemeier, Michael Fuerst | A♭ Major | 0 | 4B | 111 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| No. 1, Prélude. Moderato | César Franck, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM |