Elmer Bernstein's 'To Kill A Mockingbird' had a release date set for February 2, 1991. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. To Kill A Mockingbird's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "To Kill A Mockingbird". In this album, this song's track order is #5. In terms of popularity, To Kill A Mockingbird is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To Kill A Mockingbird by Elmer Bernstein having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 221B Baker Street - From The Granada Television Series Sherlock Holmes | Patrick Gowers | C Minor | 4 | 5A | 148 BPM | ||
| Laurel and Owens | John Scott | C Major | 0 | 8B | 50 BPM | ||
| Casablanca | Audrey, the Hepburns | D♭ Major | 5 | 3B | 125 BPM | ||
| He’s Linus’ Boy | Alfred Newman, MGM Studio Orchestra, The Ken Darby Singers | E Minor | 1 | 9A | 95 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| This Is A Tale... | Nigel Westlake | C Major | 3 | 8B | 103 BPM | ||
| Yeager's Triumph | Bill Conti | B♭ Major | 4 | 6B | 114 BPM | ||
| The A400 | Joe Kraemer | G Major | 2 | 9B | 127 BPM | ||
| The Voyage To Mordor; Theme From The Lord Of The Rings | Leonard Rosenman | B♭ Major | 3 | 6B | 120 BPM | ||
| Bridge Over the River Kwai | Frank Chacksfield Orchestra | F Major | 5 | 7B | 106 BPM | ||
| End Credits | Elmer Bernstein | D Major | 3 | 10B | 87 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| A New Day | George Fenton | E♭ Major | 2 | 5B | 75 BPM | ||
| Overture - Star Trek VI/Soundtrack Version | Cliff Eidelman | E Minor | 3 | 9A | 133 BPM | ||
| Now, Voyager | Charles Gerhardt, National Philharmonic Orchestra | A Major | 3 | 11B | 101 BPM | ||
| Recortes | Armonias | A Major | 5 | 11B | 119 BPM | ||
| The Hallelujah Trail - Overture For Chorus And Orchestra: The Hallelujah Trail | Phoenix Symphony, James Sedares | F Major | 2 | 7B | 94 BPM | ||
| Main Title - Walk on the Wild Side, 1962 | Barbara Stanwyck, Elmer Bernstein | F Major | 4 | 7B | 111 BPM | ||
| The Grotto | Original Soundtrack | E♭ Major | 2 | 5B | 80 BPM | ||
| Pelagia's Song - From "Captain Corelli's Mandolin" | Stephen Warbeck, The Royal Philharmonic Orchestra/Nic Raine | C Major | 2 | 8B | 84 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 78 BPM | ||
| Theme from Dr Strangelove | The Laurie Johnson Orchestra | D Major | 4 | 10B | 92 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| Pledge | Elliot Leung, Long Yu, Shanghai Symphony Orchestra | D Minor | 3 | 7A | 115 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM |