Hank Snow's ' "From a Jack to a King" was released on its scheduled release date, 1965. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. From a Jack to a King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hank Snow's "Hank Snow Sings Your Favorite Country Hits" album is number 3 out of 12. In terms of popularity, From a Jack to a King is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of From a Jack to a King by Hank Snow to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Still | Bill Anderson | A♭ Major | 1 | 4B | 95 BPM | ||
| (Jeannie Marie) You Were A Lady | Tommy Overstreet | F Major | 4 | 7B | 186 BPM | ||
| Your Cheatin' Heart | Boxcar Willie | C Major | 2 | 8B | 112 BPM | ||
| What Locks The Door | Jack Greene | E♭ Major | 2 | 5B | 94 BPM | ||
| Almost Persuaded | David Houston, Barbara Mandrell | E♭ Major | 4 | 5B | 100 BPM | ||
| Johnny Valentine | Claude King | G Major | 4 | 9B | 169 BPM | ||
| I'm in Love Again - Remastered | George Morgan | E Major | 6 | 12B | 167 BPM | ||
| Wine, Take Me Away | Tommy Collins | G Major | 3 | 9B | 97 BPM | ||
| Strangers (My Friends Are Gonna Be) | Roy Drusky | E Major | 3 | 12B | 129 BPM | ||
| I Thought I Heard Her Calling My Name | Tommy Hooker | D Major | 4 | 10B | 124 BPM | ||
| Oh, No! | The Browns | A Major | 3 | 11B | 109 BPM | ||
| On My Knees | Charlie Rich | A♭ Major | 5 | 4B | 115 BPM | ||
| Candy Kisses | George Morgan | C Major | 4 | 8B | 130 BPM | ||
| I'm Not the Man I'm Supposed to Be | Lefty Frizzell | F Major | 2 | 7B | 98 BPM | ||
| Loose Talk | Carl Smith | D Major | 5 | 10B | 113 BPM | ||
| If I Had To Do It All Over Again | Roy Clark | G Major | 6 | 9B | 102 BPM | ||
| It's Four in the Morning | Faron Young | A Major | 3 | 11B | 130 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| Please Don't Squeeze My Sharmon | Charlie Walker | F Major | 4 | 7B | 175 BPM | ||
| Little Ole Wine Drinker Me | Charlie Walker | G Major | 4 | 9B | 138 BPM | ||
| Ruben James | Henson Cargill | G Major | 6 | 9B | 92 BPM | ||
| She Burnt the Little Roadside Tavern Down | Johnny Russell | E Major | 6 | 12B | 103 BPM | ||
| If Teardrops Were Pennies | Carl Smith | E Major | 2 | 12B | 129 BPM | ||
| Say You'll Stay Until Tomorrow | Roy Drusky | F Major | 4 | 7B | 116 BPM | ||
| Sally Was a Good Old Girl | Hank Cochran | E Major | 8 | 12B | 172 BPM |