On May 19, 2008, the song "Pani Chiso" was released by Balaram Samal, Parbati Rai. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Parbati Rai's "Mero Deuta" album is number 6 out of 8. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Pani Chiso's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Pani Chiso by Balaram Samal, Parbati Rai to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pauma Pauju Chhaina Bari Lai | Sajja Chaulagain, Swostika Dhakal | G Minor | 6 | 6A | 122 BPM | ||
| Ganala Pavat Bandhayach | Shahir Vikas Lambore, Trupti Jadhav | A Minor | 8 | 8A | 85 BPM | ||
| Tsorwa Yargay (Tibetan Song) | Passang Lhamo | B♭ Major | 6 | 6B | 130 BPM | ||
| Bagh Haina Jhamtine | Kumar Basnet, Ram Thapa | G Major | 4 | 9B | 123 BPM | ||
| Lal Lal Fadki Na Uda Zhenda Part 2 | Arun Ahire, Rahul Thakare | B Minor | 9 | 10A | 140 BPM | ||
| Nokha Kuplwng | Arun Debbarma, Gobin Debbarma, Bipasha Reang, Amar Debbarma, Nilima Debbarma | F♯ Major | 7 | 2B | 120 BPM | ||
| Takan Tukun (From "Kamaley Ko Bihey") | Rajan Raj Shiwakoti, Mandabi Tripathi | E Major | 6 | 12B | 135 BPM | ||
| Ka Holara Sun Jasto Pital | Saroj Lamichhane, Sarita Rijal | B Major | 9 | 1B | 117 BPM | ||
| Awid Alala Ljawi - أويد الالة الجاوي | Achel7y, Ajiyal Souss | F Minor | 7 | 4A | 145 BPM | ||
| Sree Naga Devathamare | Pramod | G Major | 5 | 9B | 94 BPM | ||
| Gorkha Nepalma | Nischal Dawadi, Anju Panta | F Major | 7 | 7B | 104 BPM | ||
| Maya Madula | Roj Man Maharjan, Nisha Deshar | B♭ Major | 7 | 6B | 175 BPM | ||
| Sawan Barsnaye | Bhaiya More, Pragati Angarakhe, Ajay Mali | A♭ Major | 8 | 4B | 140 BPM | ||
| Chigyal Punda | Karma Tseten Ghale | B♭ Major | 8 | 6B | 172 BPM | ||
| Sunko Tarbai Pore Ta | Munal Film Pvt. Ltd. | F Minor | 9 | 4A | 80 BPM | ||
| Aaja Sangai | Basanta Thapa, Sharmila Bishwakarma, Durgesh Thapa | B Major | 8 | 1B | 107 BPM | ||
| Inna Hanna Zar Zin Ihnna | Hamid Inerzaf | B♭ Minor | 9 | 3A | 128 BPM | ||
| Sannaniko Pachchheuri | Bhagawan Bhandari, Raju Pariyar, Bima Kumari Dura | B Minor | 7 | 10A | 65 BPM | ||
| Maya Basyo Mutuma (From "Aago 2") | Rajesh Payal Rai, Astha Raut, Sachin Singh | C Major | 7 | 8B | 117 BPM | ||
| Batasle Udai Lagyo | Kumar Kanchha, Asha Bhosle | C Minor | 7 | 5A | 127 BPM | ||
| Arku Gora | Furbu Chhuksa | A Major | 8 | 11B | 186 BPM | ||
| Tuna Pyar Ma Pori | Prashant Desale, Mayur Salunke | F♯ Major | 10 | 2B | 172 BPM | ||
| Dohoro Madal by Khem Century & Supak Adhikari | Nepali Song | Supak Adhikari | G Major | 8 | 9B | 81 BPM | ||
| Ave Hermosa | Melissa Oropeza | C Minor | 8 | 5A | 135 BPM | ||
| Daram Khola | Basanta Thapa, Devi Gharti Magar | F Major | 7 | 7B | 150 BPM |