"They Took Me Off The Street" by Sam Watts had its release date on May 9, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 9 in the song's album "Untethered (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. They Took Me Off The Street is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With They Took Me Off The Street by Sam Watts having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gods Will Rise | Tribal Blood | E Major | 7 | 12B | 143 BPM | ||
| The Heist | Soundridemusic | E Minor | 5 | 9A | 119 BPM | ||
| Scrum | Thomas Newman | D♭ Major | 1 | 3B | 162 BPM | ||
| My New VP | Marcelo Zarvos | E Minor | 2 | 9A | 151 BPM | ||
| Secret Invasion Main Theme (EPIC VERSION) | Ayhan Music | B♭ Minor | 3 | 3A | 105 BPM | ||
| The Deep Ones | Simon Franglen | C Minor | 5 | 5A | 90 BPM | ||
| Doctor Who Series 11 End Credits | Segun Akinola | F Minor | 4 | 4A | 131 BPM | ||
| Silent Witness Theme (Silencium) (From "Silent Witness BBC1") | John Harle | D Minor | 4 | 7A | 171 BPM | ||
| Ludwig Theme - Extended | Nathan Klein, F. Keane | E Minor | 2 | 9A | 110 BPM | ||
| Tedros And The Everboys | Theodore Shapiro | F Major | 8 | 7B | 80 BPM | ||
| Nowhere to Run - Epic Trailer Version | Hidden Citizens, Keeley Bumford | A♭ Major | 7 | 4B | 178 BPM | ||
| Fireworks Spectacular - Main Show | Alton Towers | G Major | 5 | 9B | 76 BPM | ||
| The Handle | Chris Benstead, The Chamber Orchestra Of London, Tom Kilworth, Thomas Gould | C Major | 4 | 8B | 111 BPM | ||
| All Along | Christophe Beck, Michael Paraskevas | F Major | 1 | 7B | 108 BPM | ||
| Spoken Request | Atli Örvarsson | B♭ Minor | 2 | 3A | 73 BPM | ||
| Call to Arms | Skip Armstrong, Kevin Wells | F♯ Minor | 8 | 11A | 145 BPM | ||
| Burnt | Nathan Johnson | E♭ Major | 1 | 5B | 98 BPM | ||
| Sisters Race the Australians | Amelia Warner | C Major | 2 | 8B | 67 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| Gotta Get Through This | ELMS, Hayley Watson | F♯ Major | 8 | 2B | 117 BPM | ||
| Wheelchair | Ilan Eshkeri | B Minor | 3 | 10A | 171 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Enter Sandman | SHEL, Damned Anthem | A Major | 7 | 11B | 113 BPM | ||
| Final Stand | PaPaNeOn | C Minor | 3 | 5A | 180 BPM | ||
| Wake Up | Sebastian Böhm | D Minor | 7 | 7A | 82 BPM |