"前奏曲 第7番 イ長調 作品28の7" by リューボフ・チモフェーエワ had its release date on March 8, 2017. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in こどもクラシック~心おちつく名曲セレクション, so we believe that "前奏曲 第7番 イ長調 作品28の7" is a single. 前奏曲 第7番 イ長調 作品28の7 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 前奏曲 第7番 イ長調 作品28の7 by リューボフ・チモフェーエワ is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| エチュード 第3番 ホ長調 《別れの曲》作品10-3 | Fujiko Hemming | E Major | 2 | 12B | 72 BPM | ||
| 8 Nocturnes romantiques de différents caractères, Op. 604: No. 6, La consolation | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Nocturne sentimental on a Theme of Strauss, Op. 537 | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| エチュード ハ短調 作品10-12 『革命』 | NAIX | F Minor | 2 | 4A | 69 BPM | ||
| インテルメッツォ Op.118-2 イ長調 「6つの小品」より | Johannes Brahms, 石井琢磨 | A Major | 0 | 11B | 61 BPM | ||
| 18 Études, Op. 109: No. 15, Les sylphes | Friedrich Burgmüller, Carl Petersson | D Major | 1 | 10B | 97 BPM | ||
| Sakura silencioso | AriaZz | A Major | 3 | 11B | 69 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Ammiel Bushakevitz | F♯ Major | 0 | 2B | 67 BPM | ||
| ショパン: エチュード イ短調 作品10-2 | Kai Ichinose | G Minor | 3 | 6A | 74 BPM | ||
| Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 7. Adagio | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM | ||
| グノシエンヌ 第7番 | Erik Satie, Yuji Takahashi | A Minor | 0 | 8A | 63 BPM | ||
| ハナミズキ | 角聖子 | E Major | 1 | 12B | 79 BPM | ||
| C大調第10號鋼琴奏鳴曲 第一樂章 K. 330 | 古典鋼琴詩 | B♭ Major | 0 | 6B | 146 BPM | ||
| Piano Sonata Op. 27 No.2 in C Sharp Minor – Sonata quasi una fantasia, “Moonlight Sonata” —Allegretto – Attacca | Lorenzo Luiselli, Beethoven | G Major | 0 | 9B | 104 BPM | ||
| 前奏曲嬰ハ短調<鐘>作品3の2(ラフマニノフ) | Sergei Rachmaninoff, Keisuke Toyama | F Minor | 0 | 4A | 110 BPM | ||
| Nocturne in D-Flat Major, Op. 41 "Méditation d'une jeune fille" | Jules Egghard, Bart Van Oort | E Major | 1 | 12B | 71 BPM | ||
| 雨の日のふんすい | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM | ||
| Lazy Feel | Sunday Piano | D♭ Major | 1 | 3B | 61 BPM | ||
| ショパン:ワルツ第2番 変イ長調 作品34の1「華麗なる円舞曲」 | タチアナ・シェバノワ | F Major | 1 | 7B | 142 BPM | ||
| 愛の悲しみ(クライスラー/清塚信也 編) | Fritz Kreisler, Shinya Kiyozuka | A Minor | 0 | 8A | 70 BPM | ||
| 6つの小品 作品 118 2 間奏曲イ長調 | Johannes Brahms, Makoto Ueno | A Major | 0 | 11B | 82 BPM | ||
| 華麗なるポロネーズ | ヘンリク・ヴィエニャフスキ, 石川静, ヨゼフ・ハーラ | D Major | 1 | 10B | 101 BPM | ||
| 子供の情景, 作品15: 第7曲 トロイメライ | Robert Schumann, 中野翔太 | F♯ Major | 2 | 2B | 106 BPM | ||
| 나른한 오후 | Sunday Piano | E♭ Major | 0 | 5B | 70 BPM | ||
| ショパン:ワルツ第1番 変ホ長調 作品18「華麗なる大円舞曲」 | タチアナ・シェバノワ | E Minor | 0 | 9A | 69 BPM |