"King David, H 37, Pt. 1: March of the Philistines" by Arthur Honegger, Randall Scarlata, West Chester University Chamber Ensemble, Ryan Kelly had its release date on January 8, 2016. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Honegger, West Chester University Mastersingers, West Chester University Concert Choir, West Chester University Chamber Ensemble, Ryan Kelly's "Honegger: King David, H 37" album is number 13 out of 27. On top of that, United States appears to be the country where this track was created. The popularity of King David, H 37, Pt. 1: March of the Philistines is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of King David, H 37, Pt. 1: March of the Philistines by Arthur Honegger, Randall Scarlata, West Chester University Chamber Ensemble, Ryan Kelly to be Prestissimo (even faster than presto) because the track has a tempo of 235 BPM, a half-time of 118BPM, and a double-time of 470 BPM. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | B♭ Minor | 2 | 3A | 172 BPM | ||
| The Dream of Gerontius, Op. 38, Pt. 2: Introduction | Edward Elgar, The Orchestra Of Opera North, Martyn Brabbins | D Major | 2 | 10B | 126 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Neon Trails | Nomad Skies | D Major | 2 | 10B | 126 BPM | ||
| Phantasy Quintet: IV. Burlesca: Allegro moderato | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | A Major | 1 | 11B | 70 BPM | ||
| Gustav II Adolf, Op. 49: VI. Breitenfeld - Bataljmålning (Breitenfeld - Battle Painting) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 2 | 10B | 126 BPM | ||
| Honegger: Jeanne d'Arc au bûcher, H. 99: I. Prologue | Arthur Honegger, Royal Concertgebouw Orchestra, Stéphane Denève | E Major | 1 | 12B | 85 BPM | ||
| Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | ||
| Jeanne d'Arc au bûcher, Scène III: Les voix de la terre | Arthur Honegger, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Marc Soustrot, Xavier Gallais, Marion Cotillard, Madrigal Choir, Lieder Càmera Choir | E Minor | 2 | 9A | 170 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Harnasie, Op.55 (Ballet pantomime in two tableaux), Obraz I: Na hali - Tableau I: In the mountain pasture: III. Marsz zbójnicki - The tatra robbers' march | Karol Szymanowski, Sir Simon Rattle/City of Birmingham Orchestra/City of Birmingham Symphony Chorus/Simon Halsey/Iwona Sobotka/Timothy Robinson/Katarina Karnéus, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, City of Birmingham Orchestra | G Major | 5 | 9B | 66 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Organ Concerto in G Minor, FP 93: III. Andante moderato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | D♭ Major | 0 | 3B | 79 BPM | ||
| Nielsen: Violin Sonata No. 2 in G Minor, Op. 35: II. Molto adagio | Carl Nielsen, Leif Ove Andsnes, Christian Tetzlaff | B♭ Minor | 0 | 3A | 80 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Friedenswerke | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | D Major | 1 | 10B | 56 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 103 BPM | ||
| Short Ride in a Fast Machine | John Adams, Berliner Philharmoniker, Alan Gilbert | E Minor | 5 | 9A | 146 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM |