Raghavendra Acharya Jansale's 'Marulade Eenayya' had a release date set for March 5, 2022. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Raghava Raga Sanchara, Vol. 1". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Marulade Eenayya is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Marulade Eenayya by Raghavendra Acharya Jansale having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kande Kande Vadirajara | Sheshagiri Das Raichur | E♭ Major | 6 | 5B | 106 BPM | ||
| Thane Thane | G Balakrishna Prasad | F Minor | 6 | 4A | 174 BPM | ||
| Tappu Nodade Bandeya | Vijay Krishna. D | F Minor | 6 | 4A | 110 BPM | ||
| Nera Niddhu Enna | milidhane Dinesh, David-Dinesh-Manuel | D Major | 6 | 10B | 160 BPM | ||
| Rayabhariyagi Naaniruve (From "PYAAR") | Vijay Prakash, Anitha Sa Ra Mahesh, Palani D Senapathy, Pramod Maravanthe | D Minor | 7 | 7A | 81 BPM | ||
| Ekadantham Gajananam | Rajkumar Bharathi | F Major | 3 | 7B | 143 BPM | ||
| Narajanma Bandaga | Jahagirdar Sisters | B♭ Major | 5 | 6B | 170 BPM | ||
| Munula Tapamunade | G Balakrishna Prasad | F Minor | 6 | 4A | 174 BPM | ||
| Ello Naanu | Narashima Naik | B Major | 8 | 1B | 91 BPM | ||
| Sojjugaada Sooju Mallige | Vasanthi.S, Vijay Ygnanarayana | B♭ Minor | 4 | 3A | 128 BPM | ||
| Jodu Hasige | C. Ashwath | E Minor | 2 | 9A | 174 BPM | ||
| Mareyada Guru | Siddal Patil, Lalitha Chowdal, Revayya Vasthradamath | E♭ Minor | 7 | 2A | 179 BPM | ||
| Mantralaya Nivaasa | Venkatesh Kumar | B Major | 6 | 1B | 116 BPM | ||
| Shivalokadinda Obba | C. Ashwath | D♭ Major | 5 | 3B | 75 BPM | ||
| Hari Ke Charan - Hindi | Sam C.S., R.P. Krishaang, Ashwin Kumar | D Minor | 7 | 7A | 81 BPM | ||
| Koo Koo Enutide Belava | C. Ashwath, Santha Shishunala Sharifa, B. R. Chaya | C Major | 6 | 8B | 175 BPM | ||
| Kolu Kolanna Kole | Appagere Thimmaraju, Traditional | F Major | 5 | 7B | 78 BPM | ||
| MADEYA BARTARE | Malavalli Dr M Mahadevaswamy | C Minor | 8 | 5A | 134 BPM | ||
| Vachanadalli Namamrutha | Manjula Gururaj | F♯ Major | 8 | 2B | 135 BPM | ||
| Jaya Ganapa Gana Adipa | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Tavaroora Maneanoda Bande | Manjula Gururaj | B♭ Major | 4 | 6B | 150 BPM | ||
| Ikko Nodire Chikka Hanumantha | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 89 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Divya Charanadhatha - Studio | Surekha, Shamitha | D Major | 5 | 10B | 150 BPM | ||
| Maganondu Hadadenalla | Ravindranath Desai | F♯ Minor | 6 | 11A | 99 BPM |