- BPM
- 63
- Key
- G Major
- Camelot
- 9B
Laboravi in gemitu meo by Martin Peerson, Contrapunctus, Owen Rees Song Details
"Laboravi in gemitu meo" by Martin Peerson, Contrapunctus, Owen Rees had its release date on July 1, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Contrapunctus, Owen Rees's "Libera Nos: The Cry of the Oppressed" album is number 6 out of 13. Laboravi in gemitu meo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Laboravi in gemitu meo by Martin Peerson, Contrapunctus, Owen Rees to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -23.058 dB
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 12%
- Instrumentalness
- 78%
- Liveness
- 10%
- Loudness
- 62%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | |
 | Pastorale sur la naissance de notre seigneur Jésus Christ, H.483: III. Première partie, scène seconde "Régnez, calme profond" | Marc-Antoine Chaprentier, Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 66 BPM | |
 | Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | |
 | Missa Divi Xaverii, ZWV 12: Domine Deus II | Jan Dismas Zelenka, Hana Blaziková, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F♯ Major | 3 | 2B | 69 BPM | |
| Stabat Mater pour dix voix et basse continue: VII. Juxta crucem | Domenico Scarlatti, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 129 BPM | |
 | Nolite fieri: II. Multa flagella peccatoris | Martin Peerson, Ex Cathedra, Jeffrey Skidmore | E Minor | 1 | 9A | 78 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Durch sein Erkenntnis, JLB 15: II. Kennst du dich auch | Johann Ludwig Bach, Anna-Lena Elbert, Capella Sollertia, Johanna Soller | B Minor | 0 | 10A | 137 BPM | |
 | Officium Defunctorum. Missa pro defunctis: I. Introitus | Tomás Luis de Victoria, Collegium Vocale Gent, Philippe Herreweghe | G Major | 2 | 9B | 77 BPM | |
 | Messa a 5 Concertata: XIV. Miserere nobis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 60 BPM | |
 | Missa pro Quadragesima, MH 551: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | |
 | Lock Op Fair Lids | Martin Peerson, Martin Elliott, Wren Baroque Soloists, Jan Waterfield | A♭ Minor | 0 | 1A | 71 BPM | |
 | Purcell: Dido and Aeneas, Z. 626, Act II: Thanks to These Lonesome Vales | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM | |
 | Upon My Lap My Sovereign Sits | Martin Peerson, The Ebor Singers, Paul Gameson | D♭ Minor | 0 | 12A | 80 BPM | |
 | Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | |
 | Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": Es ist der alte Bund (Chorus) | Johann Sebastian Bach, Aki Yanagisawa, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 126 BPM | |
| Now Robin Laugh And Sing | Martin Peerson, Martin Elliott, Wren Baroque Soloists, Jan Waterfield | A♭ Minor | 0 | 1A | 71 BPM | |
 | Misericordias Domini | Vincenzo Albrici, Bremen Weser-Renaissance, Manfred Cordes | B Minor | 0 | 10A | 137 BPM | |
 | Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | |
 | Benedictus | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 71 BPM | |
 | Madrigali, Op. 1, Book I: No. 13, L'amante modesto "Volano frettolosi i giorni e presto" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | |
 | Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | |
 | Messiah, Pt. 1: 14. Pifa (Pastoral Symphony) | George Frideric Handel, Dunedin Consort, John Butt | B Major | 0 | 1B | 136 BPM | |
 | Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Ave, verum templum Dei" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | |
 | Vergine Bella | Marco Da Gagliano, Musica Sequenza, BURAK | A Major | 0 | 11B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records