Jean-Philippe Rameau, Teodor Currentzis's 'Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille"' had a release date set for October 17, 2014. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rameau - The Sound of Light". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille" by Jean-Philippe Rameau, Teodor Currentzis having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
| Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Rameau: Les Indes galantes: "Viens Hymen" (Phani) [Live] | Jean-Philippe Rameau, Emmanuelle Haïm, Jocelyn Daubigney, Sabine Devieilhe, Le Concert d'Astrée | F Minor | 2 | 4A | 84 BPM | ||
| Concerto Decimo Con L'Eco, B Dur: II. Larghetto | Alessandro Marcello, Venice Baroque Orchestra | E Major | 0 | 12B | 85 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto terzo: No. 39 Duetto "Caro, più amabile beltà" - Live | George Frideric Handel, Magdalena Kožená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 1 | 2B | 120 BPM | ||
| Les Indes galantes, RCT 44, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman) | Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 170 BPM | ||
| Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
| Fago: Confitebor tibi Domine: VI. "Intellectus bonus omnibus - Gloria" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Major | 2 | 2B | 82 BPM | ||
| Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM | ||
| Oboe Concerto in F Minor, TWV 51:F2: III. Vivace | Georg Philipp Telemann, Marcel Ponseele, Il Gardellino | A Minor | 1 | 8A | 159 BPM | ||
| La Susanna: Voi donzelle | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 1 | 10B | 111 BPM | ||
| Zelenka: Gesù al Calvario, ZWV 62: "Smanie di dolci affetti ... " | Jan Dismas Zelenka, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 2 | 11A | 67 BPM | ||
| Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
| Handel: Theodora, HWV 68, Act 2: "With Darkness Deep, as Is My Woe" (Theodora) | George Frideric Handel, Jupiter, Thomas Dunford, Lea Desandre | E♭ Minor | 3 | 2A | 102 BPM | ||
| Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Concerto grosso No. 6 in F Major, Op. 6: III. Largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Minor | 2 | 12A | 66 BPM | ||
| Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus] | William Christie | B♭ Major | 1 | 6B | 75 BPM | ||
| Vinci: Il farnace, Act 2: "Lascerò d'esser spietata" (Berenice) | Leonardo Vinci, Bruno de Sá, Francesco Corti, Il Pomo D'oro | D♭ Major | 2 | 3B | 104 BPM | ||
| Rameau: Pygmalion: Ouverture | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D♭ Major | 3 | 3B | 135 BPM | ||
| Dido and Aeneas, Z. 626, Act II: No. 22, Ritornelle – No. 23, Song & Chorus. Thanks to These Lonesome Vales | Henry Purcell, Emma Kirkby, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 70 BPM | ||
| Antonio Vivaldi: Stabat Mater In F Minor- Quis Est Homo (Largo) | Tafelmusik Baroque Orchestra | E Minor | 1 | 9A | 89 BPM | ||
| Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] | Francesco Durante, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 4 | 11A | 109 BPM | ||
| Stabat Mater | Christina Pluhar | A Minor | 1 | 8A | 99 BPM |