2 Suite for Band: III. Guaracha by Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra Song Details

Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra's ' "2 Suite for Band: III. Guaracha" was released on its scheduled release date, January 1, 2002. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. 2 Suite for Band: III. Guaracha's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Reed: Alfred Reed Live!, Vol. 4 - Acclamation!". In this album, this song's track order is #11. Based on our statistics, 2 Suite for Band: III. Guaracha's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

With 2 Suite for Band: III. Guaracha by Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Music Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 9%
Loudness: -23.738 dB
Acousticness: 95%
Danceability: 27%
Energy: 11%
Instrumentalness: 4%
Liveness: 7%
Loudness: 60%
Speechiness: 3%
Valence: 70%

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