Rob Tait's ' "High Wire" was released on its scheduled release date, October 6, 2024. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in At the End of the World {The Album} by Rob Tait. High Wire is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of High Wire by Rob Tait is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Hard Way | Matt Shenk | E Major | 6 | 12B | 121 BPM | ||
| Long Gone | Small-Town Strip Club | D♭ Minor | 7 | 12A | 106 BPM | ||
| Damn Train | Jay Stott | B Minor | 7 | 10A | 164 BPM | ||
| The Day You'll Say Sorry | Daniele Tenca | G Major | 6 | 9B | 102 BPM | ||
| Whiskey for Two | Atlantis Aquarius | G Major | 5 | 9B | 150 BPM | ||
| Lola | Dan Mudd | D Major | 8 | 10B | 80 BPM | ||
| Rail Train Blues | Mike Stocksdale | F♯ Major | 4 | 2B | 110 BPM | ||
| Cool Waters | Shannon Clark & the Sugar | G Major | 6 | 9B | 152 BPM | ||
| Pendulum | The Hipocrats | G Minor | 6 | 6A | 116 BPM | ||
| Everyone's Invited | Honeybear, the Band | E Major | 6 | 12B | 82 BPM | ||
| Plug It In | Mitch Grainger | G Major | 5 | 9B | 118 BPM | ||
| Sit Back Down Again | Matt Benson | E♭ Major | 8 | 5B | 166 BPM | ||
| Change My Ways | Laurence Jones | E Major | 6 | 12B | 121 BPM | ||
| Grown Ass Man | Tinsley Ellis | E Minor | 5 | 9A | 91 BPM | ||
| Good Men Still Exist | Dusty Boom | E Minor | 7 | 9A | 172 BPM | ||
| Come Back Home | Reckoners | G Major | 5 | 9B | 130 BPM | ||
| Feeling Good | Jamie McLean Band | A Minor | 5 | 8A | 76 BPM | ||
| UAP | Owen Stewart | F Major | 9 | 7B | 116 BPM | ||
| Hard Again | Walk That Walk | G Major | 7 | 9B | 174 BPM | ||
| She's So Cold | Tony Holiday | D Major | 5 | 10B | 109 BPM | ||
| Alive and Well | Zak Smith | B Major | 6 | 1B | 95 BPM | ||
| Daze | Eddy Smith & The 507 | G Major | 1 | 9B | 114 BPM | ||
| Waiting For Lola | Mike Mattison & Trash Magic | E Major | 6 | 12B | 121 BPM | ||
| Walking the Streets of New Orleans | Joe Rusi | B Minor | 8 | 10A | 150 BPM | ||
| Blood From A Stone | Charlie A'Court, Lloyd Spiegel, Suzie Vinnick | C Minor | 3 | 5A | 170 BPM |