"Strip Croquet" by David Newman had its release date on January 1, 1989. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David Newman's "Heathers (Original Soundtrack)" album is number 1 out of 23. On top of that, United States appears to be the country where this track was created. In terms of popularity, Strip Croquet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strip Croquet by David Newman to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Salem's Lot (Main Title #2) | Harry Sukman | D Minor | 2 | 7A | 90 BPM | ||
| The Dark Crystal: End Credits | Daniel Pemberton | D Minor | 2 | 7A | 110 BPM | ||
| Reese & Sarah in Garage | Brad Fiedel | A Major | 4 | 11B | 88 BPM | ||
| Rod Hanged / Night Stalking | Charles Bernstein | F Minor | 3 | 4A | 120 BPM | ||
| Ruined Landscape | Giorgio Moroder | A♭ Major | 4 | 4B | 119 BPM | ||
| Code Red | Kyle Dixon & Michael Stein | E♭ Minor | 0 | 2A | 135 BPM | ||
| Father's Day | John Harrison | C Major | 2 | 8B | 128 BPM | ||
| Last Regrets | Ryuichi Sakamoto | D♭ Minor | 1 | 12A | 71 BPM | ||
| White Pine Bay | Chris Bacon | G Minor | 0 | 6A | 66 BPM | ||
| Dewey's Theme | Marco Beltrami | E Major | 1 | 12B | 120 BPM | ||
| Colin Senses Craven | Zbigniew Preisner | B Major | 1 | 1B | 84 BPM | ||
| Main Title (A Nightmare on Elm Street) | Charles Bernstein | D Major | 4 | 10B | 112 BPM | ||
| Newman, D: Some Time Ago | David Newman, Sebastian Knauer, Deutsches Symphonie-Orchester Berlin, Haggai Cohen-Milo, Tobias Backhaus | F Minor | 3 | 4A | 150 BPM | ||
| The Auryn | Klaus Doldinger | F Major | 1 | 7B | 64 BPM | ||
| Hacking / Cutting | Ben Salisbury, Geoff Barrow | D♭ Minor | 1 | 12A | 135 BPM | ||
| Into the Mist | Angela Morley | F Major | 1 | 7B | 121 BPM | ||
| The Death of R.M.F. | Jerskin Fendrix | B♭ Minor | 1 | 3A | 118 BPM | ||
| Into The Forest Of Wild Beasts | MGM Studio Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
| Jennifer | Goblin | E Major | 0 | 12B | 136 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Tin Tin Deo - Remaster | David "Fathead" Newman, Ray Charles | F Minor | 4 | 4A | 143 BPM | ||
| Laura's Dark Boogie | Angelo Badalamenti, David Lynch | G Minor | 2 | 6A | 86 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Hårga, Collapsing | Bobby Krlic | A Major | 7 | 11B | 84 BPM | ||
| School Horror / Stay Awake | Charles Bernstein | B♭ Major | 1 | 6B | 75 BPM |