Suite in E Minor, RCT 2: No. 8, Tambourin - Adapted by Marina Baranova by Jean-Philippe Rameau, Marina Baranova Song Details

Jean-Philippe Rameau, Marina Baranova's 'Suite in E Minor, RCT 2: No. 8, Tambourin - Adapted by Marina Baranova' had a release date set for August 26, 2016. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Suite in E Minor, RCT 2: No. 8, Tambourin - Adapted by Marina Baranova's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marina Baranova's "Hypersuites" album is number 14 out of 20. On top of that, Germany appears to be the country where this track was created. Suite in E Minor, RCT 2: No. 8, Tambourin - Adapted by Marina Baranova is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Suite in E Minor, RCT 2: No. 8, Tambourin - Adapted by Marina Baranova by Jean-Philippe Rameau, Marina Baranova to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 11%
Loudness: -13.595 dB
Acousticness: 99%
Danceability: 36%
Energy: 45%
Instrumentalness: 89%
Liveness: 11%
Loudness: 77%
Speechiness: 5%
Valence: 30%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto	Frédéric Chopin, Jan Lisiecki	B♭ Minor	0	3A	72 BPM
A Chloris in E Major (Arr. for Piano by William Youn)	Reynaldo Hahn, William Youn	E Major	0	12B	105 BPM
Dolly Suite, Op. 56: I. Berceuse	Gabriel Fauré, Katia Labèque, Marielle Labèque	E Major	0	12B	63 BPM
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme -	Franz Schubert, vision string quartet	G Minor	0	6A	131 BPM
Concerto Grosso No. 3 in F Major: IV. Largo	Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek	D Minor	1	7A	168 BPM
Gluck: Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses	Christoph Willibald Gluck, Sir Neville Marriner, Academy of St. Martin in the Fields, Paul Davies	F Major	0	7B	76 BPM
Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal)	Johann Sebastian Bach, Víkingur Ólafsson	B Minor	0	10A	71 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
4 Impromptus, Op. 90, D. 899: No. 1 in C Minor: Allegro molto moderato	Franz Schubert, Krystian Zimerman	C Minor	0	5A	105 BPM
Sonata in E Minor (Allegrissimo), Kk. 98	Domenico Scarlatti, Ivo Pogorelich	E Minor	0	9A	84 BPM
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges	Felix Mendelssohn, Bertrand Chamayou	A♭ Major	0	4B	71 BPM
Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major	Gabriel Fauré, Shani Diluka	F Major	2	7B	123 BPM
Lieder ohne Worte, Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2	Felix Mendelssohn, Péter Nagy	F♯ Minor	1	11A	166 BPM
Symphony in D Major, J-C 16: II. Andante sempre piano	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	F♯ Major	1	2B	137 BPM
Sinfonia in D Minor, Fk. 65: I. Adagio	Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti	D♭ Minor	0	12A	86 BPM
Sonata in C Minor, Jung III.2.B: I. Largo	Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki	B Minor	1	10A	96 BPM
3 Romances, Op. 11: No. 1, Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
Vater Unser (Version for Cello and Piano)	Arvo Pärt, Camille Thomas, Julien Brocal	A Minor	0	8A	63 BPM
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor	Clara Schumann, Sophie Pacini	E♭ Minor	0	2A	60 BPM
A Chloris: À Chloris	Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte	E Major	0	12B	173 BPM
Violin Concerto in A Major, TWV 51:A4 "Die Relinge": I. Allegro	Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck	D♭ Major	3	3B	140 BPM
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture	Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken	F♯ Minor	1	11A	106 BPM
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall)	Monsieur de Sainte-Colombe, Jordi Savall	D♭ Minor	0	12A	102 BPM
Pavane, Op. 50 (Version for Piano)	Gabriel Fauré, Jorge Federico Osorio	F♯ Minor	0	11A	75 BPM
Introduttione II in F Major, Op. 4 No. 2: II. Andante	Pietro Locatelli, Fabio Biondi, Europa Galante	A♭ Major	1	4B	123 BPM