Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) by Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana Song Details

"Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live)" by Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana had its release date on December 17, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Ravel: Concerto en sol - La Valse - Ma mère l'Oye - Rapsodie espagnole & Suite No. 2 from Daphnis et Chloé". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Live) by Maurice Ravel, Martha Argerich, Jacek Kaspszyk, Orchestra della Svizzera Italiana having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 23%
Loudness: -28.526 dB
Acousticness: 98%
Danceability: 16%
Energy: 3%
Instrumentalness: 94%
Liveness: 11%
Loudness: 52%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Holberg Suite, Op. 40: II. Sarabande (Andante)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	1	11B	87 BPM
Menuett in G Minor, HWV 434/4 (Arr. by Wilhelm Kempff)	George Frideric Handel, Wilhelm Kempff	G Minor	0	6A	76 BPM
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song"	Felix Mendelssohn, Daniel Barenboim	F♯ Minor	0	11A	169 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto	Ludwig van Beethoven, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	104 BPM
Le carnaval des animaux, R. 125: Le cygne	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	C Major	0	8B	83 BPM
Piano Concerto in A Minor, Op. 7: I. Allegro maestoso	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	A Minor	1	8A	112 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna	B Minor	1	10A	100 BPM
Lyric Pieces, Book 5, Op. 54: No. 4, Notturno	Edvard Grieg, Emil Gilels	D Minor	0	7A	72 BPM
Bach: Prelude in B minor, BWV 855a (Arr. by Alexander Siloti)	Johann Sebastian Bach, Khatia Buniatishvili	F♯ Major	0	2B	69 BPM
Ravel: Ma mère l'oye, M. 60: IV. Les entretiens de la Belle et de la Bête	Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	A Minor	0	8A	95 BPM
Balakirev: Berceuse in D-Flat Major	Mily Balakirev, Bertrand Chamayou	D♭ Major	1	3B	70 BPM
Concerto in D Minor, BWV 974: II. Adagio	Johann Sebastian Bach, Víkingur Ólafsson	D Minor	0	7A	64 BPM
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude	César Franck, Aldo Ciccolini	B Minor	0	10A	127 BPM
L'Oiseau de feu, K10: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä	F Minor	0	4A	68 BPM
Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	A♭ Major	0	4B	96 BPM
Piano Sonata in G Minor: IV. Finale. Presto - Allegro moderato e con espressione	Fanny Mendelssohn, Beatrice Rauchs	G Major	2	9B	109 BPM
4 Impromptus Op.142, D.935: No.3 in B Flat Major: Theme (Andante) with Variations	Franz Schubert, Radu Lupu	B♭ Major	0	6B	96 BPM
Saint-Saëns: Carnival of the Animals: XIII. The Swan	Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia	G Major	0	9B	87 BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM
Ravel: Sonatine, M. 40: I. Modéré	Maurice Ravel, Bertrand Chamayou	F♯ Minor	1	11A	67 BPM
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus	Olivier Messiaen, Lucas Debargue, Torleif Thedéen	E Major	0	12B	81 BPM
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck	Robert Schumann, Martha Argerich, Mischa Maisky	F Major	0	7B	64 BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Suite No.2 For 2 Pianos, Op.17: 3. Romance (Andantino)	Sergei Rachmaninoff, Martha Argerich, Nelson Freire	A♭ Major	0	4B	78 BPM
Gymnopédie No. 3. Lent et grave	Erik Satie, Pascal Rogé	G Major	0	9B	76 BPM