"Buffalo March Arrival in Glade (Pride and Punishment)" by Sarah Class had its release date on October 20, 2017. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Buffalo March Arrival in Glade (Pride and Punishment)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sarah Class's "Lion Kingdom" album is number 4 out of 37. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Buffalo March Arrival in Glade (Pride and Punishment)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Buffalo March Arrival in Glade (Pride and Punishment) by Sarah Class to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love, Not Ambition | Patrick Doyle | D Major | 1 | 10B | 130 BPM | ||
| Anger and Apparition | Guy Farley | D Minor | 1 | 7A | 175 BPM | ||
| Shetland End Titles | John Lunn | D Major | 3 | 10B | 136 BPM | ||
| Life Begins Again | FELIX MEAGHER, Baz Luhrmann, Angela Little | D Major | 3 | 10B | 85 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Catherine and Harry | Chris Egan, Samuel Sim | B Major | 0 | 1B | 88 BPM | ||
| Nell | Mark Isham | G Major | 1 | 9B | 62 BPM | ||
| Venid a mi | Marx Huancas | E♭ Major | 2 | 5B | 168 BPM | ||
| Entre la Realidad y la Fantasia | Ninfas De Ultramar | F Minor | 2 | 4A | 148 BPM | ||
| Elegy Op. 8 No. 3 – Lento Espressivo | Daniel Eles | F Minor | 0 | 4A | 72 BPM | ||
| Violin Romance | Patrick Doyle | D♭ Minor | 2 | 12A | 60 BPM | ||
| Journey of Joseph of Arimathea & the Holy Hawthorn | Sarah Class, Sean Pádraig | B♭ Major | 3 | 6B | 79 BPM | ||
| Able Returns and Lukas Teaches Him To Catch Food! | Sarah Class | D Minor | 3 | 7A | 59 BPM | ||
| Peter - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 100 BPM | ||
| We Will Never Know | Mario Malagnini | E Minor | 1 | 9A | 71 BPM | ||
| War and Peace - Main Title | Jan A.P. Kaczmarek | B Major | 3 | 1B | 107 BPM | ||
| Elegy for Refugees | Dario Marianelli | E Major | 3 | 12B | 86 BPM | ||
| Silencio Binario | Lumen Sonico | E Minor | 2 | 9A | 100 BPM | ||
| Creation | Christopher Young | F Minor | 2 | 4A | 173 BPM | ||
| The Lost Cities | Johannes Bornlöf | E Major | 2 | 12B | 73 BPM | ||
| Warn Shallows | Ho-Ling Tang | G Major | 2 | 9B | 96 BPM | ||
| Jigsaw | Ho-Ling Tang | G Major | 2 | 9B | 96 BPM | ||
| Abandoned | John Paesano | G Minor | 2 | 6A | 65 BPM | ||
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| Alltag | Martin Lingnau, Ingmar Süberkrüb | B Minor | 2 | 10A | 110 BPM |