Earl Robinson, Paul Robeson, Lawrence Brown's ' "The Ballad of Joe Hill - 2024 Remastered Version" was released on its scheduled release date, 1971. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Ballad of Joe Hill - 2024 Remastered Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paul Robeson Live in New York 1958 - 2024 Remastered Version". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. In terms of popularity, The Ballad of Joe Hill - 2024 Remastered Version is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Ballad of Joe Hill - 2024 Remastered Version by Earl Robinson, Paul Robeson, Lawrence Brown having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mikado / Act 2: 28. The criminal cried as he dropp'd him down | Arthur Sullivan, Peggy Ann Jones, John Reed, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E Major | 1 | 12B | 69 BPM | ||
| Loyalty Days | Garrison Keillor, Philip Brunelle, Minnesota Orchestra | D♭ Major | 2 | 3B | 78 BPM | ||
| The White Cockade | The Corries | D Major | 4 | 10B | 102 BPM | ||
| My Love Is Like a Red, Red Rose | Kenneth McKellar | D♭ Major | 2 | 3B | 166 BPM | ||
| Would You Like To Swing On A Star? | Dave Van Ronk | D Major | 3 | 10B | 122 BPM | ||
| Oh It's A Lovely War | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | E♭ Major | 5 | 5B | 130 BPM | ||
| The Bold Gendarmes | Josef Locke | F Major | 2 | 7B | 120 BPM | ||
| O Sole Mio | Josef Locke | F Major | 2 | 7B | 0 BPM | ||
| High Mountain | Aiden Wilson | D Major | 3 | 10B | 79 BPM | ||
| Lessons Learned in Moscow 15 | Rabbi Yoel Ferber | A♭ Minor | 3 | 1A | 66 BPM | ||
| Catari, Catari | Jerry Lynch | C Major | 2 | 8B | 86 BPM | ||
| My Fair Lady, Act I Scene 4: With a Little Bit of Luck (Reprise) | Frederick Loewe, Sinfonia Of London, John Wilson, Alun Armstrong, Sharif Afifi, Adam Vaughan | C Major | 4 | 8B | 125 BPM | ||
| Little Red Hen | Malvina Reynolds | C Major | 4 | 8B | 149 BPM | ||
| One Little Job, Pt. III | Earl Robinson | B♭ Major | 2 | 6B | 116 BPM | ||
| Powdermilk Biscuit Theme | Garrison Keillor, Philip Brunelle, Minnesota Orchestra | C Major | 2 | 8B | 120 BPM | ||
| The Shoals of Herring | Ewan MacColl, Peggy Seeger | A♭ Major | 0 | 4B | 112 BPM | ||
| Introduction to the Whitehurst Song | Michael Harris | A♭ Major | 4 | 4B | 86 BPM | ||
| He's Got Better Things For You | Memphis Sanctified Singers | B♭ Major | 1 | 6B | 121 BPM | ||
| Viva la Compagnie | The Brothers Four | F Major | 4 | 7B | 125 BPM | ||
| The Poor Wayfaring Stranger | Estil C. Ball | A Major | 1 | 11B | 76 BPM | ||
| Don't Let's Be Beastly to the Germans | Noel Coward | B♭ Major | 1 | 6B | 128 BPM | ||
| Another Country | Phil Ochs | C Major | 4 | 8B | 119 BPM | ||
| Shooters and Sad Songs | Chris Regez | C Major | 2 | 8B | 106 BPM | ||
| Till the Clouds Roll By | Emily E. Finke | D Major | 6 | 10B | 135 BPM | ||
| Peter and the Wolf, Op. 67: V. Grandfather | Wiener Opernorchester | D♭ Major | 1 | 3B | 77 BPM |