"Postal Pieces: No. 6, Swell Piece for Alison Knowles (Performed on 4 Electric Guitars)" by James Tenney, Dither had its release date on November 1, 2019. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Potential Differences". In this album, this song's track order is #12. Postal Pieces: No. 6, Swell Piece for Alison Knowles (Performed on 4 Electric Guitars) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Postal Pieces: No. 6, Swell Piece for Alison Knowles (Performed on 4 Electric Guitars) by James Tenney, Dither having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasy in Speed | Otto Luening | E Minor | 1 | 9A | 106 BPM | ||
| Sonata 11 | John Cage, James Tenney | E♭ Minor | 0 | 2A | 91 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Glass Pieces | kita kouhei | F Major | 4 | 7B | 82 BPM | ||
| grevillea | Hiroshi Suzuki, Maki Takagi | D Major | 5 | 10B | 110 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| A New Planet | Marina Frescobaldi | G Minor | 2 | 6A | 72 BPM | ||
| Alain: Berceuse sur deux notes qui cornent | Jehan Alain, Marie-Claire Alain | A♭ Major | 0 | 4B | 68 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM | ||
| Castillo Interior: Adagio [Fig. 14] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Zuakaaobato | Fábio Caramuru | D Minor | 1 | 7A | 72 BPM | ||
| Septet | James Tenney, Trevor Babb | A Major | 4 | 11B | 60 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | A Major | 1 | 11B | 118 BPM | ||
| Road Weary | Erik Friedlander | G Major | 2 | 9B | 87 BPM | ||
| Child's Footprint | Ernst Reijseger, Nederlands Kammerkoor | B Minor | 1 | 10A | 83 BPM | ||
| A Sutured World: I. Take This Broken Wing... - Live | Liza Lim, Bavarian Radio Symphony Orchestra, Nicolas Altstaedt, Edward Gardner | D Major | 2 | 10B | 104 BPM | ||
| Dusk | Wayne Hankin, Meredith Monk | D Major | 1 | 10B | 93 BPM | ||
| Moonshadows, Pt. 2: Episode 3 | Tomasz Trzcinski | B♭ Major | 2 | 6B | 124 BPM | ||
| Siempre Te He Dicho | Brake Vibe | B Minor | 2 | 10A | 96 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Pagliacci | Marie Dassel | A Minor | 0 | 8A | 114 BPM | ||
| Winter Variation | Meredith Monk | A Minor | 0 | 8A | 96 BPM | ||
| Glissade, for Viola Cello, Doublebass and Tape Delay System: Shimmer - 1982 | James Tenney, Dario Calderone, Francesco Dillon, William Lane | E Minor | 2 | 9A | 74 BPM | ||
| Amor ilegal | ActivadorNeto | G Major | 7 | 9B | 78 BPM |