"50 Cars" by Trevor Rabin had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 50 Cars's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Trevor Rabin's "Gone In 60 Seconds (Original Motion Picture Score)" album is number 4 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, 50 Cars is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 50 Cars by Trevor Rabin to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Do This | Nathan Whitehead | D Major | 1 | 10B | 130 BPM | ||
| Gonna Need a Gun | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| Team | Andrew Lockington | A Major | 2 | 11B | 82 BPM | ||
| Sphinx | Trevor Rabin | G Major | 3 | 9B | 84 BPM | ||
| Do You Have an Opinion on Fate? | Luke Richards | A♭ Major | 4 | 4B | 160 BPM | ||
| Kamikaze | Ruth Barrett | A♭ Major | 4 | 4B | 76 BPM | ||
| Terminator II Judgement Day - Terminator Main Title | Various Artists | D Minor | 1 | 7A | 90 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| Back In Business | Trevor Rabin | C Major | 2 | 8B | 92 BPM | ||
| Liu Vs. Sub-Zero | George S. Clinton | D♭ Major | 5 | 3B | 130 BPM | ||
| Tooling Up | Chris Benstead | D♭ Major | 1 | 3B | 121 BPM | ||
| Crew Cut vs. Poppa M | Jeff Danna | A Major | 7 | 11B | 82 BPM | ||
| The Hotel Ambush | Don Davis | A Minor | 3 | 8A | 140 BPM | ||
| Hoover Dam | Andrew Lockington | G Major | 7 | 9B | 76 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Finding Grace | Trevor Rabin | A Major | 2 | 11B | 109 BPM | ||
| I'm Out | Christophe Beck | D Major | 1 | 10B | 97 BPM | ||
| The Hunter | Sarah Schachner | F Minor | 6 | 4A | 106 BPM | ||
| San Venganza | Christopher Young | B♭ Minor | 3 | 3A | 120 BPM | ||
| Gotham City, 1986 | Christopher Drake | A Major | 3 | 11B | 73 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Escape | West Dylan Thordson | D♭ Major | 6 | 3B | 161 BPM | ||
| Rio Grande | Harald Kloser | A♭ Major | 3 | 4B | 109 BPM | ||
| Through The Surveillance Monitor | Don Davis | N/A | N/A | N/A | 0 BPM | ||
| The Raven | Ryan Amon | B♭ Minor | 6 | 3A | 95 BPM |