Randy Brecker, DR Big Band, Danish National Chamber Orchestra's 'Foregone Conclusion' had a release date set for October 20, 2008. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 10 in the song's album "The Jazz Ballad Song Book". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Foregone Conclusion's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Foregone Conclusion by Randy Brecker, DR Big Band, Danish National Chamber Orchestra having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tall & Lanky | Jeff Coffin, Randy Brecker, Grace Kelly, Victor Wooten, Keith Carlock, Matt Rollings, Jordan Perlson, Mike Baggetta | A Major | 8 | 11B | 108 BPM | ||
| Why'd You Have To Go and Lie To Me Boy | Brian Charette, Cory Weeds, John Lee | B♭ Major | 2 | 6B | 70 BPM | ||
| Introduction Mvt III | Wlodek Pawlik Trio, Randy Brecker, The Podlasie Philharmonic Orchestra | E Minor | 3 | 9A | 96 BPM | ||
| High Towers | Clark Terry | D Minor | 3 | 7A | 140 BPM | ||
| S.N.C.F. | Julian & Roman Wasserfuhr, Donny McCaslin, Tim Lefebvre, Nate Wood | F Minor | 5 | 4A | 75 BPM | ||
| Reflection of Simplicity | Reginald Cyntje, Imani-Grace Cooper, Brian Settles, Allyn Johnson, Herman Burney, Lenny Robinson | D♭ Major | 2 | 3B | 85 BPM | ||
| Pink Walker | Francesca Tandoi, Vadalà, Matheus Nicolaiewsky, Sander Smeets, Daniele Cordisco | C Major | 4 | 8B | 122 BPM | ||
| The Break | Emil Kofod | B♭ Major | 2 | 6B | 206 BPM | ||
| I Wish I Knew | Blue Mitchell | G Major | 3 | 9B | 107 BPM | ||
| Hey, It's Me You're Talkin To | Victor Lewis Quintet | G Major | 3 | 9B | 73 BPM | ||
| Just Coolin’ | Cory Weeds | E♭ Major | 5 | 5B | 183 BPM | ||
| Watermelon | Nat Adderley | F Major | 7 | 7B | 119 BPM | ||
| On the Bloody Rainbows | Ray Ogden | F Major | 2 | 7B | 174 BPM | ||
| A Me Me Piace O Blues | Marco Vezzoso, Alessandro Collina | D Minor | 2 | 7A | 120 BPM | ||
| Baron | Matthew Stevens, Walter Smith III, Joel Ross, Harish Raghavan, Marcus Gilmore | E Minor | 6 | 9A | 121 BPM | ||
| Morungaba | Luiz Millan, Lisa Ono, Randy Brecker | F Minor | 3 | 4A | 130 BPM | ||
| Dragonfly | Peter Bernstein Trio | G Minor | 2 | 6A | 93 BPM | ||
| Take It Home | Ada Rovatti, Randy Brecker, Niki Haris | C Major | 7 | 8B | 80 BPM | ||
| Caryisms | Roy Hargrove Quintet | F♯ Major | 4 | 2B | 109 BPM | ||
| For Maxwell | Lafayette Harris, Jr., Jeremy Pelt | E♭ Major | 4 | 5B | 138 BPM | ||
| Manhattan Style | Wolfgang Lackerschmid, Helio Alves, Nilson Matta, Duduka Da Fonseca, The Brazilian Trio | C Major | 6 | 8B | 110 BPM | ||
| Sometime Ago | Bob Brookmeyer | C Major | 5 | 8B | 80 BPM | ||
| The Kicker | Joe Henderson Sextet | F Minor | 5 | 4A | 93 BPM | ||
| Faith | Joshua Redman Quartet | D Minor | 2 | 7A | 128 BPM | ||
| Miss Ernestine | Brandon Sanders | B♭ Minor | 3 | 3A | 114 BPM |