On 1970, the song "Since I Met You Baby" was released by David Houston. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Since I Met You Baby's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 20 in After Closing Time by David Houston. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Since I Met You Baby is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Since I Met You Baby by David Houston is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yes Mr. Peters | Roy Drusky, Priscilla Mitchell | A Major | 3 | 11B | 105 BPM | ||
| Smokey Mountain Memories | MEL STREET | F Major | 6 | 7B | 114 BPM | ||
| I Still Love You (After All These Years) | Tompall & The Glaser Brothers | F Major | 1 | 7B | 83 BPM | ||
| The Comancheros | Claude King | E♭ Major | 4 | 5B | 78 BPM | ||
| Laura (What's He Got That I Ain't Got) | Leon Ashley | E♭ Major | 4 | 5B | 173 BPM | ||
| You Make Me Feel More Like A Man | MEL STREET | F♯ Major | 5 | 2B | 93 BPM | ||
| Have I Told You Lately That I Love You | Sissy Spacek | B♭ Major | 5 | 6B | 135 BPM | ||
| Kay | John Wesley Ryles, I | C Major | 6 | 8B | 92 BPM | ||
| Send Me the Pillow | Patsy Riggir | G Major | 3 | 9B | 110 BPM | ||
| The Old Lamplighter | Jim Ed Brown | D Major | 2 | 10B | 99 BPM | ||
| Blue Side of Lonesome | Jim Reeves | A Major | 3 | 11B | 95 BPM | ||
| Second Hand Rose | Roy Drusky | E♭ Major | 5 | 5B | 133 BPM | ||
| Stop The World (And Let Me Off) | Susan Raye | A Major | 5 | 11B | 90 BPM | ||
| Jackson Ain't a Very Big Town | Johnny Duncan, June Stearns | C Major | 4 | 8B | 95 BPM | ||
| Please Help Me I'm Falling | George Morgan, Marion Worth | C Major | 2 | 8B | 51 BPM | ||
| Somewhere Between Love And Tomorrow | Roy Clark | G Major | 3 | 9B | 82 BPM | ||
| Empty Arms | Sonny James | D Major | 3 | 10B | 88 BPM | ||
| (Now and Then There's) A Fool Such As I | Baillie & The Boys | A Major | 3 | 11B | 102 BPM | ||
| Put a Little Love in Your Heart | Susan Raye | D Major | 4 | 10B | 107 BPM | ||
| Just One Time | Tompall & The Glaser Brothers | E Major | 6 | 12B | 103 BPM | ||
| Sentimental Ol' You | Charly McClain | A Major | 4 | 11B | 111 BPM | ||
| Catfish John | Johnny Russell | G Major | 5 | 9B | 175 BPM | ||
| Am I That Easy to Forget | Jeannie C. Riley | B♭ Major | 3 | 6B | 70 BPM | ||
| Heart, We Did All That We Could | David Houston | F♯ Major | 4 | 2B | 115 BPM | ||
| A Fallen Star | Jimmy C. Newman | B Major | 3 | 1B | 95 BPM |