"Tara's Theme - From Gone With the Wind" by London Philharmonic Orchestra had its release date on June 23, 2008. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 15 in Academy Award Themes by London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Tara's Theme - From Gone With the Wind is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tara's Theme - From Gone With the Wind by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Barcarolle | London Philharmonic Orchestra | E Major | 2 | 12B | 170 BPM | ||
| Hetty Wainthropp Investigates (BBC) | Nigel Hess, The London Film Orchestra, Phillip McCann | F♯ Minor | 1 | 11A | 50 BPM | ||
| One in a Million You | John Fox | E♭ Major | 3 | 5B | 143 BPM | ||
| Absolvents | Andreas Steffenbach | B♭ Major | 4 | 6B | 86 BPM | ||
| Lake Starnberg | Pino Donaggio | D Major | 1 | 10B | 139 BPM | ||
| トゥ・ラブ ・アゲイン(映画「愛情物語」より) | カーメン・キャバレロ | E♭ Major | 3 | 5B | 99 BPM | ||
| Cavalleria Rusticana: Intermezzo (Godfather III) | Pietro Mascagni, Razumovsky Symphony Orchestra, Long Yu | F Major | 1 | 7B | 78 BPM | ||
| Forgotten Dreams | Leroy Anderson | D Major | 1 | 10B | 92 BPM | ||
| Never On Sunday | The British Ballroom Players | B♭ Major | 4 | 6B | 113 BPM | ||
| Slavonic Dance No. 2 in E Minor, Op. 72 | London Philharmonic Orchestra | C Major | 3 | 8B | 97 BPM | ||
| Morning Train | Ron Goodwin | A Minor | 3 | 8A | 125 BPM | ||
| ゴッドファーザーPARTⅡ | Nino Rota Grand Orchestra | F♯ Minor | 2 | 11A | 135 BPM | ||
| Ebony And Ivory | Paul Mauriat | E Major | 3 | 12B | 80 BPM | ||
| Sinfonie Nr. 40 - 1. Satz: Allegro Molto | Alfred Hause | G Minor | 4 | 6A | 97 BPM | ||
| Gran Ball In Venice | Pino Donaggio | E♭ Major | 2 | 5B | 177 BPM | ||
| 花心 | 中国上海管弦乐团演奏 | B Minor | 8 | 10A | 91 BPM | ||
| Bruch: Kol Nidrei, Op. 47 | Max Bruch, Sir Adrian Boult, Christopher Bunting, London Philharmonic Orchestra | D Major | 1 | 10B | 76 BPM | ||
| Preludio de "La Traviata" | Paul Mauriat | D Major | 1 | 10B | 76 BPM | ||
| Beat and Ways | Scottie Nash | G Major | 1 | 9B | 60 BPM | ||
| Yesterday, Once More | Antonio Rossi & His Orchestra | E Minor | 2 | 9A | 140 BPM | ||
| Exodus Main Theme | Annunzio Paolo Mantovani | E Minor | 2 | 9A | 139 BPM | ||
| Rosenthal | Bob Cobert | F Major | 1 | 7B | 87 BPM | ||
| Forrest Gump: Main Title | Alan Silvestri, Razumovsky Symphony Orchestra, Long Yu | E Minor | 0 | 9A | 107 BPM | ||
| Bruna, formosa, cerca superdotato - Waltz | Nico Fidenco | D Major | 3 | 10B | 108 BPM |