On December 1, 2016, the song "Bhauji Ho Kehda" was released by Ramesh Singh. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Banaras Shehariya Mai by Ramesh Singh. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Bhauji Ho Kehda is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bhauji Ho Kehda by Ramesh Singh is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sai Baba Tu Hamesha Sath Rahe | Anil Bawra | E Major | 9 | 12B | 105 BPM | ||
| Rang Biranga - Kumaoni | Pappu Karki | B Minor | 9 | 10A | 76 BPM | ||
| Main Ke Yaad Aai Teri | Fauji Lalit Mohan Joshi, Maya Uapdhyay | D♭ Major | 6 | 3B | 74 BPM | ||
| Laami Laami Paruli | Sher Singh Mehar | C Major | 8 | 8B | 115 BPM | ||
| Jaldi Aana | Chaya Chandrakar | F♯ Minor | 8 | 11A | 132 BPM | ||
| Deewana Bhelo Aashiq Banala | That Nagpuri | C Major | 10 | 8B | 180 BPM | ||
| Tola Bandav Vo 2 | Gorelal Barman | A♭ Minor | 7 | 1A | 116 BPM | ||
| Rat ko mere gele piya ji cricket khele | Rihan Mewati | B♭ Major | 10 | 6B | 128 BPM | ||
| Jai Hanuman Gyan | Shankar Sahney | D♭ Major | 7 | 3B | 95 BPM | ||
| Dhukha Ma | Dilip Ray | A♭ Major | 10 | 4B | 174 BPM | ||
| Meera Rani Diwani Hui Shyam Ki | Anup Jalota | F Minor | 7 | 4A | 125 BPM | ||
| Tum Mere Baad Mohhabat Ko Taras Jaoge | Mamta Gupta | D Major | 10 | 10B | 120 BPM | ||
| Rani Tor Maya Ma | Prem Anand Chauhan | F♯ Major | 7 | 2B | 82 BPM | ||
| Jobaniyo Jato Rahiyo | Viru Nehad, Rekha Parmar | F♯ Minor | 10 | 11A | 120 BPM | ||
| Dil Me Rahai Chhi | Amit Jha, Varsha Rani | A Major | 7 | 11B | 118 BPM | ||
| Mere Baba Tera Brahmakumaris | BK Asmita, B.K. Sarojini | E Major | 9 | 12B | 87 BPM | ||
| Tahra Ankhiya Ke Kajal Hamar Jaan Le Gail | Bhushan Singh, Lovly Singh | F♯ Major | 10 | 2B | 135 BPM | ||
| Aise na ja Khafa Hoke | Tahir Chishti | F♯ Major | 9 | 2B | 95 BPM | ||
| Aayenge Shyam Aayenge - Hindi Shayam Bhajan | Anup Jalota, Anuja Sahay | D♭ Major | 10 | 3B | 85 BPM | ||
| Mharo Meethudo | Beejal Khan | G Major | 6 | 9B | 200 BPM | ||
| Dyo Lago Nainitala | Darshan Farswan, Deepa Nagarkoti | D♭ Major | 8 | 3B | 94 BPM | ||
| Banaras Shehariya Mai | Ramesh Singh | A♭ Minor | 5 | 1A | 156 BPM | ||
| Jiske Hriday Mein Ram Naam Band Hai | Avinash Karn | D♭ Major | 8 | 3B | 85 BPM | ||
| Jeeybo Kaise Akel | Aashish Yadav | D Major | 6 | 10B | 115 BPM | ||
| Tor Man Hohi Rani | Shravan Kumar Panriya, Raj Kumari Panriya | D♭ Major | 9 | 3B | 92 BPM |