On May 21, 1998, the song "Teri Marlu Nakal" was released by Rajesh Singhpuria, Neelam Chaudhary. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rajesh Singhpuria, Neelam Chaudhary's "Kanwari Bahu" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Teri Marlu Nakal's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Teri Marlu Nakal by Rajesh Singhpuria, Neelam Chaudhary to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bahu Aavegi | Rajesh Singhpuria | B Major | 9 | 1B | 125 BPM | ||
| Jawani Pihar Me Lutadai Ab Degi Balam Ko | Radhe lal Rawat | E♭ Minor | 9 | 2A | 120 BPM | ||
| Theke Aali Gali | Vinu Gaur | C Major | 9 | 8B | 140 BPM | ||
| Ganga Nahavan Aai Soon | Ramavtar Sharma, Rajnish Sharma | D♭ Major | 9 | 3B | 146 BPM | ||
| Do Do Bhabhi | Rajesh Singhpuria, Saloni Singh | B♭ Minor | 8 | 3A | 98 BPM | ||
| chotya thara byav me | Hemraj Saini | D♭ Minor | 9 | 12A | 80 BPM | ||
| Badshah | Gyanender Sardhana | B♭ Major | 9 | 6B | 130 BPM | ||
| Nagin Dhora Ri | Prakash Gandhi, Neeta Nayak | B Minor | 9 | 10A | 107 BPM | ||
| Bursat Ka Button | Sheenam Catholik, Krishan Chauhna | B♭ Minor | 8 | 3A | 120 BPM | ||
| Kangan Bhooli Ke 2 | Vishu Puthi, Ashu Twinkle, Divyanka Sirohi | B Minor | 8 | 10A | 81 BPM | ||
| Dari Tera Nash Jawega | Farmani Naaz, Shubham Mahi, Rahul Mulheda | F♯ Minor | 9 | 11A | 140 BPM | ||
| Tu Mera Bablu Main Teri Babli | Rajesh Singhpuria, Upasana Sharma | B Minor | 10 | 10A | 120 BPM | ||
| Baje Raat Ke 8 | Mukesh Fouji, Sushila Takhar | D♭ Major | 9 | 3B | 120 BPM | ||
| Pani Aali Pani Pya De | Foji Karambir | A♭ Minor | 8 | 1A | 128 BPM | ||
| Mhare Ke School Futge | Renuka Panwar, Ranvir Kundu | D♭ Major | 8 | 3B | 126 BPM | ||
| Barothi | Meeta Baroda | B♭ Major | 7 | 6B | 100 BPM | ||
| Mat Dare Baavli Chhori | Upendra Rana | E♭ Major | 10 | 5B | 135 BPM | ||
| भईया देखी सब चालू नार | Pawan Dagar | F♯ Major | 10 | 2B | 136 BPM | ||
| Gujjar Sher 2 | Mayank Baisla, Gourav Barhpura, Gyanendra Sardhana | A♭ Minor | 8 | 1A | 128 BPM | ||
| Muh Dekhan Ka Tax | Harjeet Deewana, Komal Choudhary, Gulshan Music, Ajay Hooda | F♯ Minor | 9 | 11A | 114 BPM | ||
| O Kallo Main Tera Dulha Ban Jata | Lokesh Gurjar, Gurmeet Bhadana, Totaram Sondhiya | D♭ Major | 6 | 3B | 135 BPM | ||
| Hum Thakur Superstar | Upendra Rana | D♭ Major | 10 | 3B | 138 BPM | ||
| Patla Dupatta Tera Muh Dikhe | Mukesh Fouji, Miss Garima | D♭ Major | 7 | 3B | 194 BPM | ||
| Janta Uttar Pradesh Ke Mangata Akhilesh Ke | Samar Singh | B♭ Minor | 10 | 3A | 101 BPM | ||
| Piya Jota La Le Ne | Vikash Kumar, Minakshi Panchal | F♯ Minor | 9 | 11A | 100 BPM |