Ryuichi Sakamoto's 'Self Portrait' had a release date set for January 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 1996 (Re-Mastered), so we believe that "Self Portrait" is a single. Based on our statistics, Self Portrait's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Self Portrait by Ryuichi Sakamoto is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Minarai | Yoko Kanno | E Major | 3 | 12B | 99 BPM | ||
| The Butterfly Lovers | Nemanja Radulović | A Minor | 1 | 8A | 88 BPM | ||
| Better Watch Out | Pattingson | E♭ Major | 1 | 5B | 127 BPM | ||
| Runner: I. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | B♭ Major | 8 | 6B | 140 BPM | ||
| 悲情城市 | S.E.N.S. | B Minor | 2 | 10A | 166 BPM | ||
| Drive My Car (the important thing is to work) | Eiko Ishibashi | B Major | 4 | 1B | 132 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude No. 1 in C Major, BWV 846/1 | Johann Sebastian Bach, Keith Jarrett | C Major | 1 | 8B | 160 BPM | ||
| The Dynamics | Jean Dollbell | A Minor | 1 | 8A | 73 BPM | ||
| A Word I Give (with Ryuichi Sakamoto) | Goldmund, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 69 BPM | ||
| Curtains Move Slowly Inward | Aelvon Rii | G Minor | 0 | 6A | 139 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Mats Bergström | E Minor | 5 | 9A | 193 BPM | ||
| ジブラルタルの風 | Takashi Kako | G Minor | 1 | 6A | 81 BPM | ||
| Glassworks: VI. Closing | Philip Glass, Philip Glass Ensemble, Michael Riesman | E♭ Major | 1 | 5B | 135 BPM | ||
| 0040 | Ólafur Arnalds | E♭ Major | 1 | 5B | 135 BPM | ||
| 雨從傍晚下到午夜 Raining on the Tent | Cicada | C Major | 2 | 8B | 92 BPM | ||
| The Tearjerker Returns | Chilly Gonzales, Jarvis Cocker | G Minor | 0 | 6A | 80 BPM | ||
| MKWAJU | 久石 譲 アンサンブル | D♭ Major | 4 | 3B | 114 BPM | ||
| Solaris - Cornelius Mix | Penguin Cafe, Cornelius | B Minor | 4 | 10A | 155 BPM | ||
| Opus 23 | Dustin O'Halloran | F♯ Major | 1 | 2B | 101 BPM | ||
| vi (almost equal to) ix | Akira Kosemura | A Minor | 0 | 8A | 121 BPM | ||
| Place to Be | Demian Dorelli | F Major | 1 | 7B | 172 BPM | ||
| Dream 3 - Remix | Max Richter, Ben Russell, Yuki Numata Resnick | F♯ Major | 1 | 2B | 115 BPM | ||
| La Sylphide / 空気の精 | Yumiko Morioka | C Major | 2 | 8B | 103 BPM | ||
| Beyond The Queen Of Sheba | Julio Tena Briggs | A Major | 3 | 11B | 133 BPM | ||
| Horizon Variations | Max Richter | E♭ Major | 0 | 5B | 69 BPM |