Pablo Neruda's 'Te Recuerdo Como Eras' had a release date set for January 7, 1969. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of XX Poemas de Amor y una Canción Desesperada by Pablo Neruda. The song's track number on the album is #5 out of 19 tracks. In terms of popularity, Te Recuerdo Como Eras is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Te Recuerdo Como Eras by Pablo Neruda has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Te Recuerdo Como Eras being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Silencio | Alexxxvan | E Minor | 5 | 9A | 64 BPM | ||
| Poema de amor XVII | Pablo Neruda | D♭ Minor | 1 | 12A | 76 BPM | ||
| Canto Camino Neocatecumenal A nadie demos ocasión de tropiezo | BRONSON | G Minor | 2 | 6A | 116 BPM | ||
| Tu traicion | Carcuma | D Major | 1 | 10B | 93 BPM | ||
| Lautaro (1550) | Mikis Theodorakis, Pablo Neruda, Maria Farantouri | B♭ Major | 3 | 6B | 116 BPM | ||
| Yaquesita | Canuta | C Major | 3 | 8B | 119 BPM | ||
| Flecha | kapiamusic | D♭ Major | 5 | 3B | 161 BPM | ||
| Mujer, Olvida Las Razones | Vicente Feliú | E Major | 1 | 12B | 115 BPM | ||
| A Mi Partido | Mikis Theodorakis, Pablo Neruda, Petros Pandis | B Minor | 2 | 10A | 116 BPM | ||
| En Esta Plaza | José de Molina | C Major | 8 | 8B | 128 BPM | ||
| Mi Complemento | Aquella Noche | E Major | 0 | 12B | 85 BPM | ||
| El Tordo | Angel Parra, Pablo Neruda | F Minor | 2 | 4A | 71 BPM | ||
| Cuando Llega el Invierno | Isabel Aldunate | A♭ Major | 3 | 4B | 125 BPM | ||
| La Oea Es Cosa De Risa | Carlos Puebla Y Los Tradicionales | A Major | 5 | 11B | 146 BPM | ||
| A un Poeta Menor de la Antología | Jorge Luis Borges | D Major | 1 | 10B | 109 BPM | ||
| Hablemos | Verte Sonreir | E Major | 0 | 12B | 85 BPM | ||
| Carta a una señorita en París, de Julio Cortázar | Hernán Casciari, Julio Cortázar | D♭ Minor | 2 | 12A | 78 BPM | ||
| Inquenbrantable | ALBORADA SOUL | F♯ Major | 1 | 2B | 86 BPM | ||
| El Vuelo | Angel Parra, Pablo Neruda | F Minor | 2 | 4A | 71 BPM | ||
| Alma Adentro | Sylvia Rexach, Tuti Umpierre | G Major | 6 | 9B | 83 BPM | ||
| Oda al mar | Millauquén, Freddy Herrera, Pablo Neruda | C Major | 2 | 8B | 113 BPM | ||
| Ciclos eternos | Kai Lento | F♯ Major | 5 | 2B | 130 BPM | ||
| Nos parecemos tanto | Choibá, Hansel Camacho | E Major | 5 | 12B | 135 BPM | ||
| A mi manera / Es mas… te perdono | Noel Nicola, Eduardo Ramos | D Major | 3 | 10B | 80 BPM | ||
| Romance Del Desterrado | Osvaldo Rodriguez | G Minor | 4 | 6A | 124 BPM |