Rosa Passos's 'Duas Contas' had a release date set for April 25, 2006. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Rosa". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Duas Contas's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Duas Contas by Rosa Passos having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ouve as Ondas do Mar | Madredeus | B Minor | 4 | 10A | 148 BPM | ||
| Até ao Fim | Katia Guerreiro | B♭ Major | 1 | 6B | 76 BPM | ||
| Sereia | Belô Velloso | B Minor | 4 | 10A | 130 BPM | ||
| Para a Poetisa Íntima | Tiganá Santana | F♯ Major | 2 | 2B | 140 BPM | ||
| Situações triangulares | Kavita Shah, Bau | E Minor | 1 | 9A | 127 BPM | ||
| Tarde Em Itapuâ | Belén Pérez Muñíz, Patricio Villarejo | F♯ Minor | 3 | 11A | 130 BPM | ||
| Olhos Nos Olhos | Rosa Passos | E Major | 1 | 12B | 86 BPM | ||
| E o Mundo Não Se Acabou | Ná Ozzetti | A Major | 4 | 11B | 75 BPM | ||
| Reza de Omolu - Urê Urê Ijená | Kiko Horta, Luis Filipe de Lima, Ilê Asè Egi Omim, Wanda D'Omolu | G Minor | 1 | 6A | 136 BPM | ||
| Existe um Céu | Francis Hime | D Major | 3 | 10B | 106 BPM | ||
| Inquietação | Rosa Passos | E Minor | 3 | 9A | 115 BPM | ||
| Redemunho | Beth Amin, Yaniel Matos, Álvaro Faleiros | A Minor | 2 | 8A | 123 BPM | ||
| Do Fundo | Tiganá Santana | C Major | 4 | 8B | 101 BPM | ||
| Terra Terra | Flavio Tris | D Major | 3 | 10B | 86 BPM | ||
| Segredos | Katia Guerreiro | E Major | 2 | 12B | 135 BPM | ||
| Essa é Pro João | Rosa Passos | E Minor | 3 | 9A | 76 BPM | ||
| Canario Do Reino | Mônica Salmaso | D Major | 3 | 10B | 130 BPM | ||
| Escritas Em Meu Peito | Paula Lins, Rachele Menghi | F Major | 5 | 7B | 95 BPM | ||
| Fotografia | Celso Fonseca, Tony Canto, Gabriel Grossi | B Minor | 4 | 10A | 130 BPM | ||
| Silencia | Ceumar | G Minor | 0 | 6A | 113 BPM | ||
| Voz da pedra, luz do céu | A Voz dos Orixás | G Minor | 1 | 6A | 93 BPM | ||
| Inútil Paisagem | Dick Farney | C Minor | 2 | 5A | 81 BPM | ||
| Pedra Da Lua - Original | Toninho Horta, Orquestra Fantasma | A Major | 5 | 11B | 173 BPM | ||
| Berenguendem | Luca Mundaca | E Major | 2 | 12B | 162 BPM | ||
| Hijaba Labol Khamoro | Júlia Kozáková | G Minor | 4 | 6A | 90 BPM |