Rakesh Kala's 'Bajrang Baan' had a release date set for October 3, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Kala's "Hanuman Chalisa" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. In terms of popularity, Bajrang Baan is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bajrang Baan by Rakesh Kala to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Shri Padmawati Chalisa | Rakesh Kala | E Major | 7 | 12B | 98 BPM | ||
| Sakhi ri mero RadhaRaman | Harinaam Das | F♯ Minor | 6 | 11A | 168 BPM | ||
| Pata Nahi Kis Roop Main Aakar | Pujya Prembhushanji Maharaj | D Minor | 6 | 7A | 125 BPM | ||
| Gurubrahma Guruvishnu Gurudevo Maheswara - Shree Datta Stuti | Mandhar apte | F♯ Minor | 6 | 11A | 172 BPM | ||
| Sawli Surat Pe Mohan | Sushmita Bhattacharya | C Major | 9 | 8B | 103 BPM | ||
| Nand Ko Gopal | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | D♭ Major | 7 | 3B | 105 BPM | ||
| Nibiya Ke Daadh Maiya | MANOJ TIWARI | F♯ Major | 5 | 2B | 115 BPM | ||
| Kishori Tere Charnan Ki Raj Pau | Govind Krsna Das | F♯ Major | 6 | 2B | 128 BPM | ||
| Veer Hanumana Ati Balwana | Gyanendra Sharma | A♭ Major | 7 | 4B | 114 BPM | ||
| Sitaaram Ji Ki Pyari Rajdhani Lage (Bhajan) [Live] | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 123 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Shri Yamunaji Stuti | Ami Joshi | F♯ Major | 3 | 2B | 109 BPM | ||
| Ram Stuti - Shri Ram Chandra Kripalu Bhajman | Vidhi Sharma | A♭ Major | 8 | 4B | 100 BPM | ||
| Hum Ram Ji Ke Ram Ji Hamare Hai | Prem Bhushan Maharaj | D Major | 4 | 10B | 139 BPM | ||
| Aao Shyam Ji Kanhiya Nand Lal(Kirtan) | Bhaiya Krishan Das Ji | D♭ Minor | 8 | 12A | 80 BPM | ||
| Charan Me Rakhna Sharan Me Rakhna | Sudhir Vyas | F♯ Minor | 7 | 11A | 115 BPM | ||
| Nirdhan Kahe Dhanwan Sukhi | Satyendra Pathak | C Minor | 6 | 5A | 100 BPM | ||
| Kanakadhara Stotram | Prem Prakash Dubey | D♭ Major | 4 | 3B | 120 BPM | ||
| Manmohan Kanha | Chetna | E♭ Minor | 6 | 2A | 152 BPM | ||
| Raghukul Reet Sada Chali Aayi | Satyendra Pathak | F Major | 7 | 7B | 82 BPM | ||
| Radha Naam Ki Lagai Phulwari | Chitra Vichitra Ji Maharaj | E♭ Major | 9 | 5B | 120 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM |