Nicolas Martin's 'Passerelle' had a release date set for January 20, 2020. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Sourdine". In this album, this song's track order is #14. In terms of popularity, Passerelle is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Passerelle by Nicolas Martin having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Magic Will Be Lost | Rob Lane, Klara Ketelaars, The Chamber Orchestra Of London | G Major | 1 | 9B | 145 BPM | ||
| Nocturne in F Minor, Op. 55, No. 1 (Arr. By Chad Lawson for Piano, Violin, Cello) | Chad Lawson, Judy Kang, Rubin Kodheli | F Minor | 0 | 4A | 149 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| O Salutaris Hostia (Arr. for Soprano Saxophone and Organ by Raimonds Petrauskis and Oskars Petrauskis) | Ēriks Ešenvalds, Oskars Petrauskis, Liene Andreta Kalnciema | D Major | 1 | 10B | 71 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| A Winter Lullaby | Helen Keeling-Marston | F♯ Major | 1 | 2B | 99 BPM | ||
| Sancta Maria | Sjaella | F♯ Minor | 1 | 11A | 109 BPM | ||
| Dream In A Dream | Ingo Höricht, Ponticulus Quartett | A Minor | 1 | 8A | 71 BPM | ||
| Unfolding Dreams | leo brisa | B Major | 1 | 1B | 92 BPM | ||
| Promenade | Laura Masotto | G Minor | 3 | 6A | 125 BPM | ||
| In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
| The Arrival of the Magi - Solo Piano | Karen Biehl | F♯ Minor | 1 | 11A | 79 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| Frosty Reverie Melody | Jullåtar För Barn, Julsånger, Julsånger Akademi | D♭ Minor | 2 | 12A | 84 BPM | ||
| Growing Under Moonlight | Grant Kirkhope, The City of Prague Philharmonic Orchestra | D Major | 1 | 10B | 109 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Arabesque | Nicolas Martin | A Minor | 3 | 8A | 115 BPM | ||
| Chacony, Z628 | Henry Purcell, Accademia Bizantina, Stefano Montanari | E Major | 1 | 12B | 82 BPM | ||
| Béthléem | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Major | 0 | 8B | 79 BPM | ||
| Fading Winter Rose | Norbert Kendrick | C Minor | 0 | 5A | 95 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Love and Death - From "Perfume" | Tom Tykwer, Reinhold Heil, Johnny Klimek, Kian Soltani | B♭ Minor | 1 | 3A | 71 BPM | ||
| Interwoven Threads of Chance | Rebecca Daniel, Kanimbla Quartet | A Minor | 2 | 8A | 94 BPM | ||
| Patience Saves Bea | Hannes De Maeyer, Ruben de Gheselle | E♭ Minor | 3 | 2A | 75 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM |