"Charkha" by Mansoor Khan Langa, Allah Rakkha, Rashid Khan had its release date on March 25, 1998. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Rajasthani Lokdhune (The Sound Of Desert)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Charkha is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Charkha by Mansoor Khan Langa, Allah Rakkha, Rashid Khan having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu Chand Mere Jeevan Ka | Zebunnisa, Prakash | D♭ Major | 3 | 3B | 110 BPM | ||
| Pallavi | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 90 BPM | ||
| Kesariyo Hajari Gul Ro Phool (Instrumental) | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Chel Bhabaro Kangsiya | Kheta Khan | D Minor | 5 | 7A | 116 BPM | ||
| Raga Bhairavi | Rashid Khan | D Minor | 5 | 7A | 163 BPM | ||
| Bajrang Baan Bullet | Kunal Mishra, Mohit Musik | D Major | 10 | 10B | 142 BPM | ||
| Aaye Gaye Raghunandan | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Pyar Ka Jazbat Naya Rang Dikha Deta Hai | Ustad Ali Ahmed Hussain, Mohammed Hussain | F Minor | 5 | 4A | 133 BPM | ||
| Pyar Main Radha Ji Bahut Royi | Poonam Shastri Ji | F♯ Major | 9 | 2B | 106 BPM | ||
| Atma LIngam Bhajore | Sri Sathya Sai Bhajans | F Major | 6 | 7B | 142 BPM | ||
| Rooh Le Gaya | Shujaat Khan | F♯ Major | 5 | 2B | 79 BPM | ||
| GURU MERA AB THODI MEHAR KARO | Dhanabharti Ji | A♭ Major | 7 | 4B | 108 BPM | ||
| Prem Nagar Ke Raja Aao | Jal Merchant, Rajkumari | B Major | 2 | 1B | 76 BPM | ||
| More Pichharwa | Chhannulal Mishra | B♭ Major | 2 | 6B | 81 BPM | ||
| Yasoda Maiya God Khilawe | Indresh Upadhyay | D♭ Major | 4 | 3B | 110 BPM | ||
| Rut Aayee Re | Sohan Lal | A♭ Major | 8 | 4B | 130 BPM | ||
| Khoon Bahane Nikle Ho | Waseem, Qaisar Raza | F♯ Major | 6 | 2B | 95 BPM | ||
| Pappayo | Champa Methi | B♭ Major | 9 | 6B | 124 BPM | ||
| Rumal Mharo Leta Jaijosa | Jalal Khan | F♯ Major | 6 | 2B | 115 BPM | ||
| Hum Pardesi Log ( Thumri : Pilu ) | Begum Akhtar | D Major | 2 | 10B | 133 BPM | ||
| Tu Ka Tu | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Balma Kadar Na Jani | Fareed Sabri, Saeed Sabri | B♭ Minor | 6 | 3A | 97 BPM | ||
| Laxminarsiha Narayana | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| Mahakali Shloka, Durga Saptashati | Pandit Chhannulal Mishra | E♭ Major | 3 | 5B | 99 BPM | ||
| Timki Mein Ganesh | The Bundeli Artists | B Minor | 7 | 10A | 100 BPM |