M.S. Gopalakrishnan's ' "Ramabhirama - Darbar" was released on its scheduled release date, September 10, 2000. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in M.S. Gopalakrishnan's "Live in SYDNEY 1999" album is number 4 out of 10. On top of that, India appears to be the country where this track was created. Ramabhirama - Darbar is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Ramabhirama - Darbar by M.S. Gopalakrishnan to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namastestu Mahamaye(Sri Mahalakshmi Ashtaka) | B.K. Sumitra, B. R. Chaya, K.S. Surekha | D♭ Minor | 5 | 12A | 122 BPM | ||
| Piku Theme | Satyaanz | C Major | 0 | 8B | 130 BPM | ||
| Ghana Ragamalika Tanam | Doraiswamy Iyengar | D Minor | 6 | 7A | 166 BPM | ||
| Mangaḷam: "Pavamāna" | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 107 BPM | ||
| Shudha Sarang - Ustad Bismillah Khan | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 178 BPM | ||
| Ik Shuchapana Kondatha | Narasimhanayak Puttur, B. R. Chaya, K.S. Surekha | E♭ Minor | 4 | 2A | 94 BPM | ||
| Padavini - Salakabhairavi - Adi | Umayalpuram K. Sivaraman, A. Sundaresan, M.S. Gopalakrishnan | G Major | 9 | 9B | 96 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM | ||
| Tholi Ne Jesina | N. Ramani | F Minor | 4 | 4A | 179 BPM | ||
| Tillana - Kapi | Doraiswamy Iyengar | F♯ Minor | 3 | 11A | 172 BPM | ||
| Anjali to Sérana | Serge Serna | F Major | 3 | 7B | 81 BPM | ||
| Malagi Paramaadaradi | Vidyabhushana | G Major | 4 | 9B | 180 BPM | ||
| Hari Sarvothama | Radha Thandaveshwar, Rama Sadashiv | F♯ Major | 6 | 2B | 117 BPM | ||
| Kolaru Thiru Pathigam | Shantha Ranganathan | D Major | 7 | 10B | 87 BPM | ||
| Behaag Thillana | Jayanthi Kumaresh | E Major | 5 | 12B | 116 BPM | ||
| Senthamizh | Rajhesh Vaidhya | G Minor | 4 | 6A | 84 BPM | ||
| Meithaan Arumpi | Pon Sundaralingam | F Minor | 2 | 4A | 89 BPM | ||
| Guruvaayoorappane - Mandolin | U. Srinivas | G Minor | 5 | 6A | 149 BPM | ||
| Traipureem Sundareem | Sri Ganapathy Sachchidananda Swamiji | D♭ Major | 8 | 3B | 115 BPM | ||
| Endharo Mahanubhavulu - Sri - Adi | Flute J A Jayant | B♭ Minor | 7 | 3A | 150 BPM | ||
| Vilaiyada Idhu Neerama | U. Srinivas | G Major | 4 | 9B | 100 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Nadhatanumanisam | A. Kanyakumari | C Major | 6 | 8B | 165 BPM | ||
| Vara Vallabha: Hamsadhwani - Aadi - G.N.Balasubramaniam | G. N. Balasubramaniam, N. Ramani | E♭ Major | 3 | 5B | 106 BPM | ||
| Ekadantham Gajananam | Rajkumar Bharathi | F Major | 3 | 7B | 143 BPM |