- BPM
- 85
- Key
- C Major
- Camelot
- 8B
Coppelia, Act 3: Franz's Variation (Grand Allegro Faster) by Léo Delibes, Charles Mathews Song Details
Léo Delibes, Charles Mathews's ' "Coppelia, Act 3: Franz's Variation (Grand Allegro Faster)" was released on its scheduled release date, April 24, 2014. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Mathews's "Music for Ballet Class - Volume 4" album is number 31 out of 39. On top of that, United States appears to be the country where this track was created. Coppelia, Act 3: Franz's Variation (Grand Allegro Faster) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
We consider the tempo marking of Coppelia, Act 3: Franz's Variation (Grand Allegro Faster) by Léo Delibes, Charles Mathews to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -13.89 dB
- Acousticness
- 96%
- Danceability
- 57%
- Energy
- 23%
- Instrumentalness
- 98%
- Liveness
- 30%
- Loudness
- 77%
- Speechiness
- 5%
- Valence
- 40%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | 13 Pieces, Op. 76: No. 2, Etude | Jean Sibelius, Olli Mustonen | G Major | 0 | 9B | 66 BPM | |
 | Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 132 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Nutcracker - Waltz of the Flowers | Wiener Symphoniker, Willi Boskovsky | G Major | 0 | 9B | 88 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | |
 | Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | |
 | Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Lakmé: Flower Duet (Arr. for Violin and Strings by Vivan & Ketan Bhatti) | Léo Delibes, Esther Abrami | B Major | 1 | 1B | 82 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Coppélia: Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 89 BPM | |
 | Coppelia Waltz | Léo Delibes, Philadelphia Orchestra, Eugene Ormandy | E♭ Major | 2 | 5B | 89 BPM | |
 | Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | |
 | Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | |
 | Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | |
 | Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | |
 | Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM |
- ISRC
- ushm21405376
- Label
- L-M Records/RCA Records