"L'Arlésienne Suite No. 1, WD 40: I. Prelude "La marche des Rois"" by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 1985. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'Arlésienne Suite No. 1, WD 40: I. Prelude "La marche des Rois" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No. 1, WD 40: I. Prelude "La marche des Rois" by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4th Movement: Allegro Con Fuocho | London Philharmonic Orchestra | E Minor | 1 | 9A | 140 BPM | ||
| Symphony No. 9 in C, D.944 - "The Great": 1. Andante - Allegro ma non troppo | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 131 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Sur la place, chacun passe" (Chœur, Moralès) | Georges Bizet, Michel Plasson, Les Éléments, Ludovic Tezier, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
| Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Sir Simon Rattle | G Minor | 2 | 6A | 110 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Carmen Suite No. 2: Chanson du Toréador. Allegro molto moderato (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 108 BPM | ||
| Mussorgsky: Pictures at an Exhibition: Promenade I (Orch. Ravel, M. A 24) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 88 BPM | ||
| Symphony No. 8 in C Minor, Op. 65: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 0 | 4B | 72 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| Symphony No.6 In F, Op.68 -"Pastoral": 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 89 BPM | ||
| Symphony No. 1 in D Major, Op. 25 "Classical Symphony": III. Gavotte. Non troppo allegro | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
| Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "on the G String" | Johann Sebastian Bach, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 113 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 103 BPM | ||
| Don Giovanni, K. 527: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 133 BPM | ||
| Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Berliner Philharmoniker, Daniel Harding | G Minor | 0 | 6A | 107 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Souvenir de Florence, Op. 70, TH 118: IV. Allegro vivace - Live from Verbier Festival / 2013 | Pyotr Ilyich Tchaikovsky, Leonidas Kavakos, Lisa Batiashvili, Antoine Tamestit, Blythe Teh Engstroem, Gautier Capuçon, Stephan Koncz | D Minor | 3 | 7A | 144 BPM | ||
| Sibelius: Symphony No. 2 in D Major, Op. 43: IV. Finale. Allegro moderato | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | D Major | 2 | 10B | 80 BPM | ||
| L'Arlésienne Suite No.2: Pastorale | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 80 BPM |