"Day IV" by Marie Awadis had its release date on 2020. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Day IV's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Una Corda Diaries". In this album, this song's track order is #4. Based on our statistics, Day IV's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Day IV by Marie Awadis having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wandering II | Eydís Evensen | G Minor | 2 | 6A | 81 BPM | ||
| En nacelle | Henrique Oswald, Sergio Monteiro | F♯ Major | 0 | 2B | 117 BPM | ||
| LULLABY TO ETERNITY / Alice Sara Ott: Lullaby To Eternity (on fragments of W.A. Mozart's "Lacrimosa") | Alice Sara Ott | D Minor | 0 | 7A | 82 BPM | ||
| Sibyl | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | F Minor | 1 | 4A | 70 BPM | ||
| Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gautier Capuçon, Antonio Pappano, London Symphony Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| The Monolith | Gabríel Ólafs | E♭ Major | 0 | 5B | 100 BPM | ||
| Lullaby | Valentin Silvestrov, Lara Downes | A♭ Minor | 0 | 1A | 128 BPM | ||
| Orfeo ed Euridice, Wq. 30, Act II: Danse des champs-elysées "Mélodie" (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
| Lawson: Nocturne in A Minor | Dalal | C Major | 1 | 8B | 88 BPM | ||
| On the Nature of Daylight (Arr. Mackay) | Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 1 | 3A | 135 BPM | ||
| NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
| Sanctuary | Chad Lawson | G Major | 0 | 9B | 130 BPM | ||
| Pavane in F-Sharp Minor, Op. 50 | Gabriel Fauré, Lucas Debargue | F♯ Minor | 0 | 11A | 163 BPM | ||
| The Young Weaver (Renaissance Piano Version) | Matteo Myderwyk | B♭ Minor | 3 | 3A | 143 BPM | ||
| Die Zauberflöte: Aria Variation (Arr. for Piano from K. 620 by Vivan und Ketan Bhatti) | Wolfgang Amadeus Mozart, Olga Scheps | F Major | 3 | 7B | 174 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Seong-Jin Cho | E Minor | 0 | 9A | 66 BPM | ||
| Iris | Daigo Hanada | D♭ Minor | 1 | 12A | 128 BPM | ||
| Tranquillant | Eydís Evensen | D♭ Major | 2 | 3B | 80 BPM | ||
| Piano Trio No. 2 In C Minor, Op. 66: II. Andante espressivo | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | E♭ Major | 1 | 5B | 149 BPM | ||
| Alone | Marie Awadis | C Major | 0 | 8B | 114 BPM | ||
| Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
| 8 Pièces brèves, Op. 84: V. Improvisation | Gabriel Fauré, Lucas Debargue | C Major | 2 | 8B | 83 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM |