The Nearly Deads's 'You Got Me' had a release date set for June 24, 2014. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Nearly Deads's "Invisible Tonight" album is number 8 out of 11. The popularity of You Got Me is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of You Got Me by The Nearly Deads to be Vivace (lively and fast) because the track has a tempo of 167 BPM, a half-time of 84BPM, and a double-time of 334 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liar's Tongue | Velvet Guillotine | E Minor | 7 | 9A | 145 BPM | ||
| My Own Worst Enemy | Blameshift | E Minor | 10 | 9A | 138 BPM | ||
| I'd Be Lying | The Material | A♭ Minor | 9 | 1A | 157 BPM | ||
| Empire | September Mourning | C Major | 8 | 8B | 125 BPM | ||
| Friend Of Fate | Thieves for Kings | F♯ Minor | 9 | 11A | 140 BPM | ||
| Borderline | Sins In Vain | D Minor | 9 | 7A | 103 BPM | ||
| Tell Me It's Alright | Blameshift | D♭ Minor | 9 | 12A | 140 BPM | ||
| Turn Up the Stereotype | RedHook | F♯ Minor | 9 | 11A | 100 BPM | ||
| Empire of filth | A.PULSE | A Minor | 7 | 8A | 155 BPM | ||
| One More Day | Noctura | F Minor | 8 | 4A | 180 BPM | ||
| Burn | We Are The Fallen | A Minor | 10 | 8A | 130 BPM | ||
| Fighting Gravity | Bad Seed Rising | G Major | 9 | 9B | 94 BPM | ||
| Reasons | The Nearly Deads | F♯ Minor | 9 | 11A | 158 BPM | ||
| Plastic Crowns | A Light Divided | G Major | 9 | 9B | 93 BPM | ||
| Alive | Tigress | F Minor | 8 | 4A | 90 BPM | ||
| Falling to you | Sybilanta | B Minor | 6 | 10A | 135 BPM | ||
| Powder Room Confessions | JADIEL MUSK | E Minor | 9 | 9A | 90 BPM | ||
| The Light | Crashing Atlas | D♭ Major | 9 | 3B | 160 BPM | ||
| Heartsick | The Hype Theory | A♭ Major | 9 | 4B | 150 BPM | ||
| Ezpz | Renee Phoenix | E Minor | 9 | 9A | 90 BPM | ||
| Freakshow | The Nearly Deads | D♭ Minor | 8 | 12A | 93 BPM | ||
| Sound the Alarm | The Riot Gospel Collective | E Minor | 9 | 9A | 90 BPM | ||
| Idiots in a Hurry | ZANE | E Minor | 9 | 9A | 90 BPM | ||
| We Were Born to Kill Each Other | Die So Fluid | C Major | 8 | 8B | 93 BPM | ||
| Razor Blade | Cilver | D♭ Major | 9 | 3B | 150 BPM |