Midnight Hour's 'Wake Those Asleep' had a release date set for April 29, 2014. Wake Those Asleep is explicit and may not be suitable for children. With the duration being about 4:09, this song is close to the average duration of a typical track. The song is number 3 out of 7 in Dark Passenger by Midnight Hour. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Wake Those Asleep's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wake Those Asleep by Midnight Hour is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Take Me Or Leave Me | Stanfour | B Major | 4 | 1B | 171 BPM | ||
| Good Morning Again (Gma) | Midnight To Twelve | C Major | 7 | 8B | 150 BPM | ||
| Fools Like Us | Midnight Hour | A Minor | 9 | 8A | 180 BPM | ||
| Flashbacks | Jamestown Story | F♯ Major | 4 | 2B | 125 BPM | ||
| Best Years Of Our Lives (ft. Avril Lavigne) | Evan T | D Major | 8 | 10B | 92 BPM | ||
| Step Away - Radio Edit | Corey Gray | A Major | 4 | 11B | 138 BPM | ||
| Feels Like Letting Go | Matthew Perryman Jones | G Major | 6 | 9B | 99 BPM | ||
| Where Did You Go? | Ashley Parker Angel | D Major | 6 | 10B | 128 BPM | ||
| Tonight | Emphatic | D♭ Major | 7 | 3B | 140 BPM | ||
| Ache (Demo Version) | James Carrington | B Major | 1 | 1B | 95 BPM | ||
| You Got Me | Gavin DeGraw | F♯ Major | 5 | 2B | 106 BPM | ||
| Something You Can't See | Green or Blue | F Major | 8 | 7B | 105 BPM | ||
| Once | Brad Caleb Kane | B Minor | 6 | 10A | 140 BPM | ||
| We Were Kings | Ryan Star | C Major | 8 | 8B | 103 BPM | ||
| Where We Belong - Acoustic Version | Thriving Ivory | B Major | 8 | 1B | 140 BPM | ||
| Bleed | Hot Chelle Rae | D Major | 7 | 10B | 142 BPM | ||
| Beauty's Running Wild | Scars On 45 | G Major | 7 | 9B | 170 BPM | ||
| For Every Step - Acoustic | Dead by April | E Minor | 3 | 9A | 80 BPM | ||
| We Belong | Ross Copperman | B Major | 8 | 1B | 142 BPM | ||
| Till the World Stops Turning | Kaleb Jones | E Major | 1 | 12B | 120 BPM | ||
| Element | Moses Mayfield | E Major | 7 | 12B | 172 BPM | ||
| Howlin' (feat. Jessie James Decker) | Austin John, Jessie James Decker | D♭ Major | 8 | 3B | 100 BPM | ||
| Find My Way Back | Eric Arjes | E♭ Major | 6 | 5B | 138 BPM | ||
| Forevermore | Broken Iris | F Minor | 7 | 4A | 63 BPM | ||
| There for You | The Undeserving | E Major | 5 | 12B | 77 BPM |