"Attente Téléphonique" by Cassandra Jenkins had its release date on July 12, 2024. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cassandra Jenkins's "My Light, My Destroyer" album is number 10 out of 13. On top of that, United States appears to be the country where this track was created. Based on our statistics, Attente Téléphonique's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Attente Téléphonique by Cassandra Jenkins to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haley | Cassandra Jenkins | F Major | 3 | 7B | 168 BPM | ||
| The Ramble | Cassandra Jenkins | D Major | 3 | 10B | 89 BPM | ||
| Mother And Son | John Grant | F Major | 2 | 7B | 110 BPM | ||
| Lifeboat | Wand | G Major | 3 | 9B | 139 BPM | ||
| Oh Joan | Joan As Police Woman | B♭ Major | 6 | 6B | 150 BPM | ||
| Dan's Boogie | Destroyer | D Major | 6 | 10B | 140 BPM | ||
| Mood Swings | Mercury Rev | B♭ Major | 7 | 6B | 166 BPM | ||
| Dog's Face | Chris Cohen | A Major | 3 | 11B | 99 BPM | ||
| Left in the Cold | Panda Bear | F♯ Major | 4 | 2B | 80 BPM | ||
| Window | The Weather Station | D♭ Major | 1 | 3B | 93 BPM | ||
| Big Dipper | Half Waif | G Major | 6 | 9B | 136 BPM | ||
| Cobb Estate | Chris Cohen | E Minor | 4 | 9A | 98 BPM | ||
| Marquee | Adult Jazz | E♭ Major | 4 | 5B | 64 BPM | ||
| Vacant Intimacies | Hannah Frances | C Major | 5 | 8B | 157 BPM | ||
| He is On His Way Home, We Don't Live Together | Anastasia Coope | A Minor | 2 | 8A | 103 BPM | ||
| I'm Angry | John Cale | E Major | 4 | 12B | 88 BPM | ||
| Made Out Of Memory | Nilüfer Yanya | A Major | 6 | 11B | 202 BPM | ||
| Fading Beauty | Sharon Van Etten | G Major | 5 | 9B | 140 BPM | ||
| Money On The Mind | Villagers | B Major | 3 | 1B | 99 BPM | ||
| Song two | caroline | A Major | 8 | 11B | 129 BPM | ||
| Like I Say (I runaway) | Nilüfer Yanya | D Minor | 8 | 7A | 90 BPM | ||
| The Art of Poetry | Okay Kaya | D Minor | 2 | 7A | 135 BPM | ||
| Gripping the Riptide | The Hard Quartet | D♭ Major | 5 | 3B | 174 BPM | ||
| Catholic Dracula | Wild Pink | G Major | 7 | 9B | 118 BPM | ||
| I Think About Heaven | Christopher Owens | C Major | 7 | 8B | 117 BPM |