On July 12, 2017, the song "Bol Mitti Deya Baviya" was released by Akram Rahi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 23 in Folk Legends 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bol Mitti Deya Baviya's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bol Mitti Deya Baviya by Akram Rahi is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thanda Pani | Tulma Devi, Mukesh Kumar | A♭ Major | 8 | 4B | 152 BPM | ||
| Kehrhe Haunsle Gidhe De Vich Jaavan | Ranjit Mani | C Minor | 7 | 5A | 150 BPM | ||
| Teri Khushi Di Khatir | Ahmed Nawaz Cheena | F Minor | 7 | 4A | 81 BPM | ||
| Itihaas Bana Dunga | Kanhaiya Mittal | C Minor | 9 | 5A | 138 BPM | ||
| Pahada Diye Raniye | Lovish Love | G Minor | 8 | 6A | 124 BPM | ||
| Laareyan Te Rahe | Sonu Virk | E♭ Minor | 7 | 2A | 116 BPM | ||
| Bolliyan | Avtar Chamak | F Major | 9 | 7B | 89 BPM | ||
| Nikkeyan Paruneya De Naal | Sarabjeet Bugga, Manpreet Bagga | D♭ Major | 9 | 3B | 132 BPM | ||
| Ay Raja Husan Da | Mohsin Ali Malangi | G Minor | 9 | 6A | 152 BPM | ||
| Tere Pyar Ke Liye | Sh Shivansh | A♭ Major | 6 | 4B | 85 BPM | ||
| Tor Gaya Ein Yari Sajna | Naeem Hazarvi | F Major | 8 | 7B | 95 BPM | ||
| Teri Gali Vicho | Akram Rahi | G Major | 6 | 9B | 84 BPM | ||
| Jeena Jhutha Marna Sacha | Nafe Rohilla | D♭ Major | 9 | 3B | 88 BPM | ||
| Mane Mara Prem Per Vishwash Che | Jignesh Barot, Rajan Rayka, Jitu Prajapati | B♭ Minor | 10 | 3A | 98 BPM | ||
| Main Botal Ban Ke Aaee Ve | Didar Sandhu, Snehlata | A♭ Minor | 7 | 1A | 172 BPM | ||
| Phulkaari | Satwinder Bitti | F Minor | 7 | 4A | 156 BPM | ||
| Mathe Di Tiudhi | G.S. Peter, Balvir Boparai | E Minor | 8 | 9A | 110 BPM | ||
| Pardesi Veero | Balvir Boparai | B Minor | 9 | 10A | 143 BPM | ||
| Karam Ho Taj Piya | Abdul Habib Ajmeri | E♭ Major | 7 | 5B | 90 BPM | ||
| Chirag Mohabbat Da | Durga Rangila | B♭ Major | 7 | 6B | 110 BPM | ||
| Maskewale Baba Badhshah Peer Qawwali | Jayesh Parab | F♯ Minor | 9 | 11A | 180 BPM | ||
| Maro Jandray | Akram Rahi | A♭ Minor | 7 | 1A | 180 BPM | ||
| Kaali Reh Gayi Ve | Amrita Virk | B Minor | 8 | 10A | 152 BPM | ||
| Has K Mileya | Sharafat Ali Khan | E Minor | 9 | 9A | 110 BPM | ||
| Mela Zindagi Da | Akram Rahi | F♯ Major | 9 | 2B | 81 BPM |