Mireille Mathieu's ' "J'ai gardé l'accent" was released on its scheduled release date, 1967. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mireille Mathieu's "Magnifique! Mireille Mathieu" album is number 29 out of 37. On top of that, France appears to be the country where this track was created. In terms of popularity, J'ai gardé l'accent is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of J'ai gardé l'accent by Mireille Mathieu to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Comment ne pas être amoureux de vous | Dave | F Major | 1 | 7B | 97 BPM | ||
| C'est ma chanson | Mike Alison | E♭ Major | 5 | 5B | 171 BPM | ||
| Qu'elle est belle | Mireille Mathieu | A Major | 5 | 11B | 91 BPM | ||
| La mer | Mireille Mathieu | E♭ Major | 5 | 5B | 100 BPM | ||
| Les Moulins De Mon Coeur | Marcel Amont | F Minor | 3 | 4A | 88 BPM | ||
| I'll Miss You | Amanda Lear | B Major | 7 | 1B | 148 BPM | ||
| Tu T'En Vas | Alain Barrière, Noëlle Cordier | F Major | 8 | 7B | 143 BPM | ||
| La Paloma adieu | Mireille Mathieu | A♭ Major | 6 | 4B | 100 BPM | ||
| Angélique | Christian Vidal | C Major | 6 | 8B | 118 BPM | ||
| Two Lovers in Portofino | Alessia Fontana | B Minor | 3 | 10A | 95 BPM | ||
| Du Fond Du Coeur | Jean-François Michaël | A♭ Major | 7 | 4B | 172 BPM | ||
| Capri C'Est Fini | Hervé Vilard | D Major | 4 | 10B | 68 BPM | ||
| Sonia | Patrick Juvet | F Major | 6 | 7B | 90 BPM | ||
| À toutes les filles | Didier Barbelivien, Félix Gray | A Major | 5 | 11B | 100 BPM | ||
| Blue Tango | Amanda Lear | C Major | 5 | 8B | 116 BPM | ||
| Céline | Hugues Aufray | F Minor | 3 | 4A | 103 BPM | ||
| On ne voit pas le temps passer | Jean Ferrat | G Major | 5 | 9B | 109 BPM | ||
| Un Jour Mon Rêve (Lebwohl Jasmina) | Vicky Leandros | D Minor | 7 | 7A | 94 BPM | ||
| La Saint Amour | Frank Michael | B♭ Minor | 5 | 3A | 181 BPM | ||
| Rappelle-Toi Candy | Jean-François Michaël | C Major | 5 | 8B | 188 BPM | ||
| Dans Le Coeur De Ma Blonde | Marcel Amont | D Major | 4 | 10B | 118 BPM | ||
| Voulez-vous danser Madame ? | Frank Michael | C Major | 7 | 8B | 160 BPM | ||
| Addio | Mireille Mathieu | F Minor | 5 | 4A | 79 BPM | ||
| Dinons Ce Soir En Amoureux | François Valéry | B Major | 6 | 1B | 205 BPM | ||
| Au bout du monde | Claude Valade | A Major | 5 | 11B | 97 BPM |