Ankush Raja, Shilpi Raj's ' "Paglet Ae Sajanwa" was released on its scheduled release date, September 30, 2025. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Paglet Ae Sajanwa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. Based on our statistics, Paglet Ae Sajanwa's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Paglet Ae Sajanwa by Ankush Raja, Shilpi Raj having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Galiya Pa Rangwa Lagaita | Goldi Yadav | D♭ Minor | 10 | 12A | 85 BPM | ||
| Odhaniya Pe Naam | Raj Bhai, Nagendra Ujala, Shilpi Raj | A Minor | 10 | 8A | 130 BPM | ||
| Pujari Bhail Piyawa | Golu Gold | A♭ Minor | 10 | 1A | 123 BPM | ||
| Hamra Zingi Sejaye Ke Ka Lebatu | Sumit Singh Chandravanshi, Shilpi Raj | B Minor | 10 | 10A | 113 BPM | ||
| Raja Rajaiya Me Sat Jaiin | Mausam Singh, Goldi Yadav | E Minor | 10 | 9A | 129 BPM | ||
| Balam Dui Talla Pe Chadke | Devasheesh Maurya, Shilpi Raj | A Minor | 9 | 8A | 186 BPM | ||
| Tikora Chatni Ke Kari | Chandan Chanchal, Shilpi Raj | A♭ Major | 10 | 4B | 120 BPM | ||
| Mare Bhatar Payal Utar Ke | Awadhesh Premi Yadav | F Minor | 10 | 4A | 156 BPM | ||
| Sunar Sajanwa | Golu Pathak, Shilpi Raj | B Major | 9 | 1B | 126 BPM | ||
| Rani Tora Paap Lagi | Bicky Babua, Shrishti Bharti, Vikash Yadav | E Major | 9 | 12B | 125 BPM | ||
| Darwa Lage Ae Sajanwa | Ankush Raja, Shilpi Raj | G Minor | 10 | 6A | 123 BPM | ||
| Saiya Ke Saman - Bhojpuri | Dhananjay Dhadkan | A♭ Minor | 10 | 1A | 140 BPM | ||
| Daradiya A Baalam | Lado Madheshiya, Shilpi Raj | F Minor | 10 | 4A | 123 BPM | ||
| India Hilela A Jaan | Neelkamal Singh, Shilpi Raj | D♭ Major | 10 | 3B | 130 BPM | ||
| Du Din Ke Pyar Me Bhatar Jaisan | Prakash Chaubey, Shristi Bharti | A♭ Minor | 9 | 1A | 135 BPM | ||
| Thora Intajar Kala Khada Hokata | Bullet Raja, Suman Raj | D♭ Major | 10 | 3B | 145 BPM | ||
| Piya Ho Bada Handsome | Gunjan Singh, Shilpi Raj | F Major | 9 | 7B | 112 BPM | ||
| Zarda Paan | Govinda, Rakesh, Shilpi Raj | A♭ Major | 10 | 4B | 135 BPM | ||
| Sab Karnama Tohre Karal Ba | Raj Bhai, Awanish Babu, Shilpi Raj | E Minor | 10 | 9A | 128 BPM | ||
| Chuwata Mahuiya | Samar Singh, Shilpi Raj | F♯ Major | 10 | 2B | 123 BPM | ||
| Rani Chala Machhardani Ke Hilai Danda | Ankush Raja, Priyanka Singh | C Major | 10 | 8B | 144 BPM | ||
| Luga Me Cooler | Gunjan Singh, Shilpi Raj | D♭ Major | 10 | 3B | 125 BPM | ||
| Shadi Se Pahile | Neelkamal Singh, Shilpi Raj | B♭ Minor | 9 | 3A | 100 BPM | ||
| Senura Daal Ke Le Jayte Anjaan | Raushan Rohi, Shilpi Raj | E♭ Major | 10 | 5B | 88 BPM | ||
| Kukar Me Daal Ke | Vijay Chauhan, Shilpi Raj | A♭ Minor | 10 | 1A | 180 BPM |