Rashid Jahangir's 'Chui Nabiyan Ander La Mesaal Allah' had a release date set for July 30, 2009. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Rashid Jahangir's "Hasrat" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Chui Nabiyan Ander La Mesaal Allah is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Chui Nabiyan Ander La Mesaal Allah by Rashid Jahangir to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khudaya Kam Luri Tha Za Ma | Fayaz Khan Kheshgi Official | B♭ Major | 7 | 6B | 77 BPM | ||
| Hare Krishna Vol 6 Part 1 | Bitu Samajpati | A Major | 6 | 11B | 117 BPM | ||
| Bag Me Ranuna Jad | Gopal Sadhu | A Minor | 9 | 8A | 93 BPM | ||
| Laakhon Salaam Tumpe Jeeshaan Ya Nabi | Chand Qadri Afzal Chisti | F♯ Major | 3 | 2B | 202 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| Sawriyo Parnaye | Khanak | F♯ Major | 7 | 2B | 81 BPM | ||
| Saqi Nen Di Pa Pyala Ki | Nashenas | F Minor | 6 | 4A | 114 BPM | ||
| Aadurar | Karumari Karna | A♭ Minor | 8 | 1A | 86 BPM | ||
| Kaali Veer Ji | Ghulam Mohammad | B♭ Major | 8 | 6B | 80 BPM | ||
| Mayar Gara E Sansare | Rathindranath Roy, Tojamel Haque Bakul | F Minor | 6 | 4A | 148 BPM | ||
| Chausath Jogani | Prem Nath | E Minor | 10 | 9A | 80 BPM | ||
| Aami Ek Pagal Baul | Purna Das Baul | D Major | 7 | 10B | 143 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM | ||
| guga peer ki pedi | Ashu Verma | E Major | 9 | 12B | 98 BPM | ||
| Ekdin Maatir Bhitare | Parikshit Bala | D Minor | 7 | 7A | 97 BPM | ||
| Kaise Turab Rauwa Phool | Pujya Rajan Ji Official | B♭ Minor | 6 | 3A | 150 BPM | ||
| Chhod Ke Parhal Ae Sanwaru | Gopal Rai | F♯ Major | 10 | 2B | 145 BPM | ||
| Lalah Mani Lalah Mani | Arif Baloch | D♭ Minor | 8 | 12A | 116 BPM | ||
| Teri Nazar Se Dil Ki Sukoon | Gyasuddin Warsi, Qasim Warsi | F♯ Minor | 8 | 11A | 207 BPM | ||
| Fakiri Albela Ro Khel | RatiNathji Maharaj | G Major | 6 | 9B | 117 BPM | ||
| Brahmani Maa Ni Aarti - Original | Nitin Barot, Kajal Maheriya | E♭ Minor | 6 | 2A | 82 BPM | ||
| Jija Ji Jaro Lage | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Uth Karle Bhajan Bhagwan Ka | Bhakt Ramniwas | G Minor | 7 | 6A | 136 BPM | ||
| Hoo Te Haa Roohas Chue Tabiya | Ab. Majeed Ganaie | A Minor | 6 | 8A | 91 BPM | ||
| Vindhyawasini Ashtak | Shri Dhananjay Tiwari | D♭ Major | 6 | 3B | 141 BPM |