"Clemency" by Keith Kenniff had its release date on October 19, 2010. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Clemency's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Last Survivor". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Clemency is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Clemency by Keith Kenniff having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quell | Hollie Kenniff | D♭ Major | 1 | 3B | 177 BPM | ||
| These Very Winds | Keith Kenniff | E Major | 0 | 12B | 114 BPM | ||
| Paper Wings | Lights & Motion | C Major | 0 | 8B | 117 BPM | ||
| Mélodrames télégraphiés (In B Major 7th), Part 1 | Brian McBride | B Major | 1 | 1B | 67 BPM | ||
| Close Encounter | Penguin Cafe | E♭ Major | 3 | 5B | 89 BPM | ||
| Totem, Pt. 1 | Lojik | A Minor | 1 | 8A | 120 BPM | ||
| A Rising Wind - Instrumental | Helios | D♭ Major | 4 | 3B | 170 BPM | ||
| Roads | Poppy Ackroyd | G Minor | 2 | 6A | 100 BPM | ||
| Lights in the Sky | Peter Gregson | C Major | 2 | 8B | 170 BPM | ||
| Free The Mind - From „Free The Mind” Soundtrack | Jóhann Jóhannsson | D Minor | 0 | 7A | 65 BPM | ||
| Take 1 - Patterns | Illuminine | A Major | 1 | 11B | 66 BPM | ||
| The Spin | Greg Haines | C Minor | 2 | 5A | 130 BPM | ||
| The Best of Us | Random Forest | A♭ Major | 2 | 4B | 39 BPM | ||
| Familiar | Nils Frahm | E♭ Minor | 4 | 2A | 130 BPM | ||
| Me - Analogue Dear Rework | Nils Frahm, Analogue Dear | G Major | 2 | 9B | 136 BPM | ||
| Red Gold Yesterday | LUCHS | B♭ Major | 2 | 6B | 96 BPM | ||
| Katrina Outtake | Matthew Robert Cooper | D Major | 0 | 10B | 136 BPM | ||
| Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
| At Last | Martin Landh | C Major | 0 | 8B | 72 BPM | ||
| Floating, Floating | August Wilhelmsson | C Major | 1 | 8B | 72 BPM | ||
| Watching As She Reels | Rafael Anton Irisarri | C Major | 4 | 8B | 105 BPM | ||
| Leather and Lace | amiina | D Minor | 1 | 7A | 86 BPM | ||
| Canvas | Phillip Arthur Simmons | C Major | 0 | 8B | 87 BPM | ||
| Inside Outside | Nick Box | D Major | 3 | 10B | 188 BPM | ||
| IIII | Ikotu | D Major | 2 | 10B | 118 BPM |