Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey's ' "Stan and Mabel: 16. La Scala Milan" was released on its scheduled release date, February 16, 2018. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #16. The popularity of Stan and Mabel: 16. La Scala Milan is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Stan and Mabel: 16. La Scala Milan by Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 183 with a half-time of 92 BPM and a double-time of 366 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peter and the Wolf, Op. 67: I. Introduction | Wiener Opernorchester | A Minor | 1 | 8A | 85 BPM | ||
| Billy the Kid: No. 7, Billy in Prison | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| The Red Sombrero | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | G Major | 2 | 9B | 111 BPM | ||
| Peter and the Wolf, Op. 67: VI. The Wolf | Wiener Opernorchester | E♭ Major | 0 | 5B | 125 BPM | ||
| Morning Sun, Evening Star - Instrumental version | Miro Žbirka, Karlovarský Symfonický Orchestr | A Major | 2 | 11B | 72 BPM | ||
| The Seven Deadly Sins: No. 3, Anger | Kurt Weill, Swedish Chamber Orchestra, H.K. Gruber, Mats Carlsson, Love Tronner, Lars Johansson Brissman, Andreas Olsson, Wallis Giunta | B♭ Major | 3 | 6B | 102 BPM | ||
| Sigurd Jorsalfar, Op. 56 - Three Orchestra Pieces: 1. Prelude (In the King's Hall) | Edvard Grieg, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | E Minor | 0 | 9A | 100 BPM | ||
| Zen Garden | Rylandiaa | E Major | 1 | 12B | 95 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| Viajes Intergalacticos | Sirenas Celestiales | E♭ Minor | 2 | 2A | 81 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | E Major | 2 | 12B | 111 BPM | ||
| Teorias En La Mente | Sirenas Celestiales | B Minor | 1 | 10A | 121 BPM | ||
| Procession of the Nobles | Olive the Otter Dog | C Minor | 2 | 5A | 112 BPM | ||
| Through the Looking-Glass: III. The Red Queen | Lee Reynolds, London Symphony Orchestra, Paul Rissmann, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | A Minor | 2 | 8A | 84 BPM | ||
| Norwegian Folk Songs and Dances, Op. 17: Cattle Call | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | C Major | 1 | 8B | 135 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| King Charles III Coronation March | Patrick Doyle, Coronation Orchestra, Antonio Pappano, Matthew Jorysz | A Major | 0 | 11B | 124 BPM | ||
| Ish Ishah (Live) | Dan Forrest, Rivertree Singers Festival Chorus, Megan Stapleton, Troy Castle, Warren Cook | A Major | 2 | 11B | 84 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: III. Musette | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| Worries (Instrumental) | Adelaide Symphony Orchestra, Paul Rissmann | F Major | 2 | 7B | 121 BPM | ||
| Trial by Jury: Where Is the Plaintiff? | Gilbert & Sullivan Society of Houston | F Major | 2 | 7B | 99 BPM | ||
| H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM |